This is pretty much how I feel about this. I assume an amp that "takes pedals well" implies it sounds subjectively "good" with overdrive/distortion/fuzz smacked into the front end of it, but there are an incredibly high number of variables in that equation with which to play around.willlin wrote:Are there actually amps that 'take pedals well'? I've no idea if this is true but I would have though that in the majority of cases the variables of guitar/ pedal/ how the knobs are set/ amp/ how the amp is set will have the most effect on overall tone, and establishing whether this is down to one amp taking pedals well would be difficult to prove?
Based on the number of times I've seen this discussion come up here and otherwheres, the general consensus seems to be OD/dist/fuzz pedals making use of a particular type of clipping don't work well into amps that make use of a particular type of preamp gain stage. Oranges seem to be the only amps consistently and massively crapped upon every time during these discussions, but I find it impossible to believe that there's not a pleasant setting available with some combination of amp and pedal settings. (I'm hoping dearly, anyway, as I have an AD30 on its way to me now for evaluation and possible purchase!)
I may be slightly unique in the way I've used my long-time main amp, because it's a '73 Vibrosonic (Twin with 15" instead of 2x12") that offers virtually no preamp or speaker breakup without first sterilizing everyone in the blast radius. I almost always have some kind of OD pedal on to offer some light breakup, then smash a harder distortion or fuzz into that when necessary.
Based on my experience and what I've seen and heard from others I've played with over the years, I feel the best amp one could ever choose for OD/dist/fuzz pedals is some kind of relatively clean, high-watt (~80W or higher), master-volume tube amp. Experimenting a bit with several of these kinds pedals together and playing with gain staging is incredibly useful, and the making proper use of the master volume allows you to boost the sweet spot once you've found it. It's not enough to just dime everything and hope for the best, as there may only be one or two really sounds among the infinite knob positions.