if the inotonation is off, those screws won't help. those will raise/lower the height of the strings.
the screws on the back side of the bridge will adjust the intonation. if your notes on the 12th fret are sharp, you need to move those saddles back. If the notes on the 12th are flat, you need to move the saddles up.
it might be worth bearing in mind that you'll never get perfect intonation with the stock saddles - with only three for all six strings it's always going to be a bit of a compromise. replacing them with compensated saddles would help.
If you want better compensation you can use tilted Tele saddles to retain a vintage look
Or full-on compensated ones if your hands are in the air and you subsequently find it somewhat difficult to care
The stock middle saddle usually intonates better with a wound G, as the most noticable discrepancy in intonation will come from the wound D and much lighter plain G sharing a saddle... but that's usually no fun if you weren't using one before, and it's still not possible to get as close as with compensated jobbies.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
those chords tend to always be a little sharp, especially those D chords. It's just the very nature of guitar. Using as light of a touch as possible will help. If they're going sharp, you guitar is bass ackwards.
my past musicmaster intonates perfectly with 10 54 ernie ball strings. put the saddles down on the two E sides. then adjust the 3 screws.
and i don't like the tele compensated saddles; esthetic and there are less large than MM saddles.
I've just fitted some of the Wilkinson compensated saddles to my '78 musicmaster. Only slightly odd thing I found was that the middle saddle worked better' flipped over and used as a standard, non-compensated brass saddle, but on the whole, the Wilkinsons did the business for me. Have saved the scummy vintage m@j@ ones that were on there in the baggie that the new ones came in (I don't give a fuck re. vintage correctness, but am aware that this guitar is all original other than this mod)
Did a quick before & after demo for anyone interested to hear the difference these made to mine (pretty noticable in my opinion) :
jumbledupthinking wrote:Only slightly odd thing I found was that the middle saddle worked better' flipped over and used as a standard, non-compensated brass saddle
That is interesting, maybe scale-related? Do you use a plain or wound G?
Nice demo btw, great sounding guitar.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
jumbledupthinking wrote:I've just fitted some of the Wilkinson compensated saddles to my '78 musicmaster. Only slightly odd thing I found was that the middle saddle worked better' flipped over and used as a standard, non-compensated brass saddle, but on the whole, the Wilkinsons did the business for me. Have saved the scummy vintage m@j@ ones that were on there in the baggie that the new ones came in (I don't give a fuck re. vintage correctness, but am aware that this guitar is all original other than this mod)
Did a quick before & after demo for anyone interested to hear the difference these made to mine (pretty noticable in my opinion) :