I can has an Peerless semi-hollow bass.

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ultratwin
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I can has an Peerless semi-hollow bass.

Post by ultratwin »

Background: I'll be selling off my Godin A4 fretless and most likely ridding the collection of 2 others (more on that in another thread). Couple that with the fact that I've been lately studying Jazz theory and messing around with Django and Wes Montgomery-esque chord progressions, the result being that I've almost daily been looking through Korea's mega used guitar board www.mule.co.kr for a decent Peerless New York or Manhattan to mess around with. Sure enough, a good amount of guitars at half of what they cost new are perpetually floating around over here.

Some of you might know about the Peerless, founded over 40 years ago and makers of some of the best MIK Epiphones and Gretsches from several years back, but their name-brand factory in Gimhae (the historic city also happens to be Cindi's ancestral home, 77 generations/1800 years back) is a apparently a very different setup from from their massive OEM business. They were parked behind us at NAMM for a few years, and checking out their hollowbodies I was quite impressed...Proper carved tops on some of them and all.

Instead of immediately pulling the trigger on a $350 New York(!), I was attracted to a Peerless Smoked Bass that had been up for a while, a huge 17" wide semi-hollow thing (1.75" thick) with a Gibson EB2-style pickup arrangement, but rather having a lovely full 34" scale. A kid I met on the site had curiously enough won the thing with his group last fall from some "battle of teh bands" deal in Busan, and they decided to sell it and split the cash. 5 months on it was still being posted regularly with no one biting, and my phone call gave him the first offer: Brand new it costs a tad under $1000 here, and they have had it online for a little over $600. Like new yeah.

So anyway, he felt too lazy to ship it and instead took the bullet train up to Seoul to meet me (go figure), so I felt fine paying a little bit of his ride to forego shipping and get the bass in person.



So the bass: It's a really odd thing in my hands, about 10 lbs and bulky but I like it so much my fingers nearly bled from playing this evening. Laminated flame maple body on all sides, 5-piece maple/mahogany neck + rosewood board, transparent matte charcoal finish(weird factor number one), huge neck that's almost too much for my little girl hands, but the sustain and acoustic volume is stellar and with a gentle turn of the TOM-style bridge post, things were feeling rather comfy. I haven't bothered to plug it in yet, but I'm going to guess no feedback and some nice speaker cone exploding action from that neck pickup. The 10lbs part of the equation is that it's thakfully not neck-heavy, and I messed about with the Couch strap in hand to lower it nicely for Hooky/Gallup thumping on the knee...Now I think I "get it". :)

The only big hmph I have is that this model is the premium "custom" version with tacky abalone inlays and gold hardware. Like a proper ss.org posting dood I like nice colors and less bling, and naturally I feel that the Standard model's white binding and nickel hardware is simply perfect...A sligtly scratched-up Standard was online for about $380 a few months back and sold fast, but I'm not about to start regretting this purchase by any means. Will do an demo next week.





L'ICEY BOMBEROS:



The gold is admittedly not bothering me as much as the abalone.

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From the pics it looks almost like an LP bass with a Florentine cut, but with the thing on it looks and feels huge. Potty room shot for mirror's sake.

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Promo shots. Note: IT DOES NOT COME IN CHOCOLATE.

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Tim Harries(Eno!) shown with the Custom.

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Post by Ankhanu »

Looks like a neat bass; I look forward to the demo.
Likewise, the gold and abalone are not my thing, but the Standard looks kinda killer.


So, selling an A4, eh? I absolutely love the fretless Godin A4 (fretted, not so much), and am gutted that I can't afford to buy it off you :(
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Post by Viljami »

I've gone abalone-blind from admiration for this bass. So good looking, even the gold looks alright!
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Post by benecol »

DOUBLEHOTT
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Post by lorez »

The binding on that is so sweet. I really like the stuff peerless make
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Re: I can has an Peerless semi-hollow bass.

Post by Fran »

ultratwin wrote:Image

THE LOU VIDEO SHOT!! Some chick should have been in the shower..
Love it, very classy looking bass 8)
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Post by theshadowofseattle »

LOU VIDEO SHOT = CLASSIC

I love that bass! Sling it low for teh Gallopz
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Post by Doog »

I am SO bummed out I can't find the Lou gif I made.


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Mega-classy bass, Andi. You're one of a few people I know could pull it off 100%.
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Post by Gabriel »

Such a nice bass, I'd like to pick up a Peerless at some point. One of their more traditional models would be great fun for older style jazz.
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Post by dezb1 »

nice looking bass, I have a 90's peerlees epiphone riviera that I love and all the new Peerless guitars I've played have been top notch... good score, do an demo!
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Post by awfurby »

I actually think that it looks fantastic with the abalone trim and the gold hardware against the body colour isn't too bad at all. Looks like a killer bass.
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ultratwin
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Post by ultratwin »

Thanks for the views and kind words, a day with this thing and it's been interesting.


Above all, I'm still convinced it's made to be it's a bit of a wrestle in my hands: Namely this is coming from the super fat neck, feeling like I have to wrap my arms around it, just 20 big frets on a 34" scale and the nut being rather far away even when seated, and a bridge keeping the strings well above the face of the top. In contrast, my Moollon J-Classic is lightweight, simply effortless to play, and the resonance that gets conveyed to whatever part of my body is touching it translates into a comfortable experience, all the time. The Smoked (adjective is officially a noun now) takes both more concentration and strength to play, but the effort makes a "visceral experience" that is incredibly fun to work with, and after finding the guitar strap "sweet spot" with the pickups a tad below the belt line and the neck at a 60˚ angle, it feels, I dunno...sexy. Just over 24 hours, on I'm predicting that the sexiness will grow.

It's totally made for Teh Gallups and does great with a hefty pick, and will be a lot of fun to do an demoez when I get back in the office on Monday. Probably will do it in Korean with English subtitles, just for fun.






I just found a pic of one of the previous Standards that was sold a few months back. Nickel hardware, the single ply cream, binding and plain headstock totally lacks none of the cool vibe:

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ultratwin
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Post by ultratwin »

Ankhanu wrote:Looks like a neat bass; I look forward to the demo.
Likewise, the gold and abalone are not my thing, but the Standard looks kinda killer.


So, selling an A4, eh? I absolutely love the fretless Godin A4 (fretted, not so much), and am gutted that I can't afford to buy it off you :(

It's nonetheless been nice to see how cheap the earlier A4s can be found in North America though, and I'm sure your time will come. It really is a lovely piece that can really do a convincing upright bass sound (especially with flatwounds), I've wondered why the A4 fretless is not more popular with Jazz musicians and rootsy indie folk. The thing is, after I bought Spectrasonic's Trillian I have been taking care of DB duties just fine via MIDI, and sadly will have to say buh-bye to the thing to justify this latest purchase.
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Post by sholkham »

looks really cool, on another note what camera are you using in the mirror pic? fuji?
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Post by paul_ »

Doog wrote:I am SO bummed out I can't find the Lou gif I made.


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Can not un-lol.
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Post by mixtape »

That bass is pure class, abalone, gold, and all. Great find.
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Post by paul_ »

ultratwin wrote: Nickel hardware, the single ply cream, binding and plain headstock totally lacks none of the cool vibe:

True, but I think the tort guard benefits hugely from being bound on yours.

Love the bass, an EB2 is one of my all-time ultimate hankered-for guitars and I'd substitute this in a second.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang? :x
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
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ultratwin
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Post by ultratwin »

sholkham wrote:looks really cool, on another note what camera are you using in the mirror pic? fuji?

Yeah, that's the wife's charming x100. I used it for the above batch because I didn't want to turn on the sterile overhead fluorescent lights in the house (the Fuji does so much better than my Sony NEX-3 indoors), and sure enough the light sensor really shined, even with the ISO setting at no higher than 400.



paul_ wrote:
True, but I think the tort guard benefits hugely from being bound on yours.

I'm starting to agree with this. I've just arrived at the office studio on this lovely Monday morning for a proper cleanup/setup, and am strangely finding myself admiring how even the bound pickguard is matte. Add the fact that the gold hardware is the only thing that shines on it, and it seems to pleasantly makes sense of the whole thing.

Now to look for a good block of time to do an demo.


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