The Ol' Switcharoo
Moderated By: mods
The Ol' Switcharoo
BACKSTORY: I play in a 2-piece band, using low tunings, octavers and two amps to fill-out the sound. The second amp (bass amp) is mutable via footswitch to help me control the band dynamics an' that.
After practising along with new demos, the amount of switching I need to do within a split second to recreate the changes "live" is ridiculous. One such change has me going from distortion into just the guitar amp, to a clean, Micro POG'd sound into both amps. Three stomps.. while playing math-rock and singing. Not fun.
I just stumbled across this beast, which seemed to be the answer to my prayers; 6 loops, 2 outputs, 8 different combinations of loops and outputs. Ideal.
IMPORTANT OBSERVATION: IT COSTS SIX HUNDRED QUID.
On the offchance, does anyone know of any alternatives that don't cost more than the pedals I want to use with it? I only really need 4 loops, but the whole "two output" thing is a deal- breaker.
THANKS IN ADVANCE
After practising along with new demos, the amount of switching I need to do within a split second to recreate the changes "live" is ridiculous. One such change has me going from distortion into just the guitar amp, to a clean, Micro POG'd sound into both amps. Three stomps.. while playing math-rock and singing. Not fun.
I just stumbled across this beast, which seemed to be the answer to my prayers; 6 loops, 2 outputs, 8 different combinations of loops and outputs. Ideal.
IMPORTANT OBSERVATION: IT COSTS SIX HUNDRED QUID.
On the offchance, does anyone know of any alternatives that don't cost more than the pedals I want to use with it? I only really need 4 loops, but the whole "two output" thing is a deal- breaker.
THANKS IN ADVANCE
Not sure if this would work for your two amp rig but it might do?
http://www.gak.co.uk/en/carl-martin-oct ... h-ii/53074
http://www.gak.co.uk/en/carl-martin-oct ... h-ii/53074
Based on the few boxes I could find online, it looks like he pretty much did just truebypass loopers which aren't quite what I'm after, unfortunately.stewart wrote:The guy who made stuff under the name ElectroLead made various switchers and did custom stuff, but I'm not sure he still operates.
Ooh, it looks it would be possible to set it up to mute the 2nd output, according to the hot mess of an online manual.Gabriel wrote:Not sure if this would work for your two amp rig but it might do?
http://www.gak.co.uk/en/carl-martin-oct ... h-ii/53074
Good find, mate- thanks a lot.
Do keep 'em coming though, it's good to have da options.
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Problem is, it's not just switching between pedals A and pedals B like the Boss would do, it's loads of different combinations of 4 effects.johnnyseven wrote:I use 2 Boss Line Selectors which works for me. They have loads of switching options and 2 side by side can be stomped with 1 foot, you might even be able to stomp 3 at once.
I tried using the Latching Scenes mode on the M9 (when you can switch between 6 different presets of 3 effects in one stomp), but it still leaves me having to worry about the octavers and amp switching. I even thought about upgrading to an M13 to take care of ALL the FX, but the octave models still don't hold a candle to the MicroPOG.
- robrtnickerson
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I only have moral support and admiration for you Doog. I play in a two piece dumb-rock band and struggle with simply switching my fuzz on or off at the right time while mumbling inaudibly. I tried to come up with an analogy to illustrate how horribly I would fail at doing what you are proposing to do (or currently are doing) and all I could muster was something along the lines of "It would be like an ape blah, blah, blah-ing, and the world explodes." which is exactly what it would be. So no analogy. Or useful advice. Sorry.
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The Boss has a few more options than changing between A and B. What pedals do you have and what are the combinations you use?Doog wrote:Problem is, it's not just switching between pedals A and pedals B like the Boss would do, it's loads of different combinations of 4 effects.johnnyseven wrote:I use 2 Boss Line Selectors which works for me. They have loads of switching options and 2 side by side can be stomped with 1 foot, you might even be able to stomp 3 at once.
I tried using the Latching Scenes mode on the M9 (when you can switch between 6 different presets of 3 effects in one stomp), but it still leaves me having to worry about the octavers and amp switching. I even thought about upgrading to an M13 to take care of ALL the FX, but the octave models still don't hold a candle to the MicroPOG.
- chemistforhire
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Hahaha, never-the-less, I loved this.robrtnickerson wrote:I only have moral support and admiration for you Doog. I play in a two piece dumb-rock band and struggle with simply switching my fuzz on or off at the right time while mumbling inaudibly. I tried to come up with an analogy to illustrate how horribly I would fail at doing what you are proposing to do (or currently are doing) and all I could muster was something along the lines of "It would be like an ape blah, blah, blah-ing, and the world explodes." which is exactly what it would be. So no analogy. Or useful advice. Sorry.
It's required when you're trying to fill the shoes of a bass player AND a second guitar! If there's one thing I can put on my CV, it's that I like to make things as awkward as possible; be it playing music or social interaction.Fran wrote:Last time i saw a board like that it had Dave Gilmours brogue stepping on it. Christ Doog, you'll have fret lights in your guitar next. What happened to the old days when all we needed was a RAT and angst?
Believe me, I properly scoped out everything it can do and tried to figure out if it can do what I need- it can't. I really need a "'preset" kind of system like these hugely pricey boxes offer, alas.johnnyseven wrote:The Boss has a few more options than changing between A and B. What pedals do you have and what are the combinations you use?
Hahaha, yessss! Like a Happy Mondays' "Bez" type character. Fuck that guy.chemistforhire wrote:If a modestly priced looper cannot be found, maybe mod your shoes to allow multiple switch engagement, or add another non-musical member to the band who assist in pedal engagement- kind of like the useless ska band member who just dances.
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for whatever reason, i just really enjoy this post.robrtnickerson wrote:I only have moral support and admiration for you Doog. I play in a two piece dumb-rock band and struggle with simply switching my fuzz on or off at the right time while mumbling inaudibly. I tried to come up with an analogy to illustrate how horribly I would fail at doing what you are proposing to do (or currently are doing) and all I could muster was something along the lines of "It would be like an ape blah, blah, blah-ing, and the world explodes." which is exactly what it would be. So no analogy. Or useful advice. Sorry.
plopswagon wrote: Drunk and disorderly conduct is the cradle of democracy.
WELCOME TO MY WORLD.Doog wrote:35 views and no replies: you know you've made a very nichΓΒ© thread when..
But anyway, uh, no, haven't found that magic looper.
I'm using a one control Chameleo loop. Four programmable loops, but no output siwtching. Well, it will switch from one to another, but never both. Lame in that sense.
I end up setting up my combos for the main effects on the chameleo, and then splitting the signal after that via the volume pedal. Then I've got a delay/looper on one line and a looper on the other.
High quality, low popularity Ecstatic Fury
...or you could stop being an overindulgent bastard.
j/k
j/k
Twitter: @fearthelivinguk
theshadowofseattle wrote:Nothin' but orange groves and black augs, as far as the eye could see.
Doog wrote:Hahaha, how many pedals do YOU have on your board, Mr Designated Noise Man?louis wrote:...or you could stop being an overindulgent bastard.
j/k
those 3 part guitar harmonies I've been writing are essential!!
Twitter: @fearthelivinguk
theshadowofseattle wrote:Nothin' but orange groves and black augs, as far as the eye could see.