That is the one thing I dislike about this amp, which I otherwise like the sound of, perhaps misguidedly. It makes me wonder whether the stock volume pots might have been linear taper rather than audio taper. Can someone verify this, or tell me how I can verify this (will the pots be clearly marked A or B if I open it up just to take a look)? If that's the case, a change of pots would--I think--give me a volume control that actually controlled the volume in some meaningful way.Billy3000 wrote: - Fender Princeton 112 plus - this was one of the 90's solid state princeton models and it sounded absolutely horrible. It picked up radio signals more than any other amp I've ever heard, it would randomly have squeeling feedback sounds for no reason while set to clean. The volume knob was also pretty much useless, it was either loud as fuck at barely 1 on the knob, or no sound at all. Those were the options.
Question about Princeton 112 Plus
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Question about Princeton 112 Plus
This post in the "worst gear you've ever owned" thread got me thinking:
- onedaycloser
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Princeton 112 Plus Schematic
Seems like it has a 50k pot as the volume, I'm not sure which by that schematic. Seems like it couldn't hurt too much trying another pot but I'm no amp magician.
Seems like it has a 50k pot as the volume, I'm not sure which by that schematic. Seems like it couldn't hurt too much trying another pot but I'm no amp magician.
That schematic shows Volume on the clean channel, Gain and Drive Volume on the dirty channel. All of those pots are suffixed "30C" along with the drive channel treble and bass. Clean channel treble and bass pots are suffixed "15A" while Contour and Reverb Depth are suffixed "B". In USA "A" means log/audio taper, "B" usually means linear and "C" usually means reverse logonedaycloser wrote:Princeton 112 Plus Schematic
Seems like it has a 50k pot as the volume, I'm not sure which by that schematic. Seems like it couldn't hurt too much trying another pot but I'm no amp magician.
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