Agonising and yet Interesting: J Mascis Rig Rundown
Moderated By: mods
Agonising and yet Interesting: J Mascis Rig Rundown
Would be nice to play this at 200% speed, but they've done a Mascis rig rundown:
[youtube][/youtube]
[youtube][/youtube]
How many times did I hear the following:
Interviewer - "I bet you don't use that then"
JM - "Yes I do"
loved it, thanks Tim. I liked the way he played through the pedals and showed them all and also talked about the differences between recording and live.
Interviewer - "I bet you don't use that then"
JM - "Yes I do"
loved it, thanks Tim. I liked the way he played through the pedals and showed them all and also talked about the differences between recording and live.
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
- Freddy V-C
- NOD FLANGERS
- Posts: 5591
- Joined: Sun May 17, 2009 4:55 pm
-
- .
- Posts: 3998
- Joined: Sun Jun 03, 2007 2:42 pm
- Location: London, England
that was an interview back in the early 90s that I sig'djohnnyseven wrote:i'm sure I read something recently where he advised never to use Japanese pedals.
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
i think if you read the whole interview, him and kevin shields were on a huge wind up. similar to this interview/rig rundown in the way he deals with some of the questionsbenecol wrote:... that he since revealed he was just taking the piss in.
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
Very hard to watch, but, yeah, interesting 

Donate to Ankhanu Pressekwatts wrote:That's American cinema, that is. Fucking sparkles.
A couple interesting things that I got out of it:
He plays Jazzmasters live, but doesn't normally record with them. (Tele for lead and P90 Gibby for rhythm.)
His triple amp set up is set up like that to feel the air pressure from playing. (Uses smaller amps to record.)
His high guitar action on his Jazzys is mainly for doing solos and slide. For studio, his rhythm guitars have lower action.
I really liked that BASICALLY for his sound he uses one pedal for rhythm and one pedal for clean. I also liked that all his amps are always on. (They all also seemed to just have everything up to ten.)
He plays Jazzmasters live, but doesn't normally record with them. (Tele for lead and P90 Gibby for rhythm.)
His triple amp set up is set up like that to feel the air pressure from playing. (Uses smaller amps to record.)
His high guitar action on his Jazzys is mainly for doing solos and slide. For studio, his rhythm guitars have lower action.
I really liked that BASICALLY for his sound he uses one pedal for rhythm and one pedal for clean. I also liked that all his amps are always on. (They all also seemed to just have everything up to ten.)
- Fran
- The Curmudgeon
- Posts: 22219
- Joined: Thu Apr 20, 2006 5:53 am
- Location: Nottingham, Englandshire.
I think he said all his amps were up half way because after that they start to distort rather than increase in volume.
It is a basic approach on the whole but it makes sense. Well, maybe not the three amps on simultaneously at the same volume then use pedals to boost or decrease volume.. but its J Mascis and he was originally a drummer after all.
I've watched quite a lot of these over the years but this one is like the bumper one with everything in it. Its a shame there wasn't one done before the guitars got stolen.
The interview were he tells of a sound engineer throwing a bottle at his head for being too loud had me crying with laughter.
It is a basic approach on the whole but it makes sense. Well, maybe not the three amps on simultaneously at the same volume then use pedals to boost or decrease volume.. but its J Mascis and he was originally a drummer after all.
I've watched quite a lot of these over the years but this one is like the bumper one with everything in it. Its a shame there wasn't one done before the guitars got stolen.
The interview were he tells of a sound engineer throwing a bottle at his head for being too loud had me crying with laughter.
Just about to watch this...going to drink whiskey to numb the pain. pressed play: INSTANT DISAPPOINTMENT: WHERFORART DIRKS? I want to see J being socially awkward to a bubbly girl! Or is he faux-socially awkward (i.e an asshole)?? I never know.
iCEByTes wrote:5 Most Jizz face maker Solo�s , classic Rock music i ever listened.
iCEByTes wrote:Blunt a joint , Take the Touch , Listen this.
Did anyone else notice how totally flat and not-intonated that first Jazzy is?
Also every time J gives a monosylabic answer Dirks would reveal a breast making computer noises and steam come out of J's ears.
Also every time J gives a monosylabic answer Dirks would reveal a breast making computer noises and steam come out of J's ears.
iCEByTes wrote:5 Most Jizz face maker Solo�s , classic Rock music i ever listened.
iCEByTes wrote:Blunt a joint , Take the Touch , Listen this.