Compressors - who uses one? Should I get one?
Moderated By: mods
Compressors - who uses one? Should I get one?
I used to swear I would never get a compressor pedal. Couldn't see the point. And then, crazily, I was demoing something in Bandcamp and for a laugh used the compressor "pedal". And was pleasantly surprised.
And so now I am looking at compressors - latest thrill is the Henrietta Engineering Orange Crush, but I have also been considering the Malekko Comp, MXR Dyna Comp, and even the Mooer Compressor (am trying to save some space on the board).
So anyway, who else uses compressors and what do you use? What do you like/dislike?
And so now I am looking at compressors - latest thrill is the Henrietta Engineering Orange Crush, but I have also been considering the Malekko Comp, MXR Dyna Comp, and even the Mooer Compressor (am trying to save some space on the board).
So anyway, who else uses compressors and what do you use? What do you like/dislike?
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- Fran
- The Curmudgeon
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Theres been many occasions were I plug into a Comp and think why the hell haven't I used one all this time. Then after a fad with one I get annoyed with the background noise they usually create with distortion, it gets shelved and the cycle repeats again a year later.
I currently own a Line 6 Tone Core 'Constrictor' and an old MIJ Arion Compressor. Both sound great on clean settings, both take some tweaking with Overdrive and both are noisy with distortion.
Got a EHX Soul Preacher coming off Proggy so no doubt I'll go through the same process with that.
If you play clean? I think they are one of the best pedal investments you can make.
I currently own a Line 6 Tone Core 'Constrictor' and an old MIJ Arion Compressor. Both sound great on clean settings, both take some tweaking with Overdrive and both are noisy with distortion.
Got a EHX Soul Preacher coming off Proggy so no doubt I'll go through the same process with that.
If you play clean? I think they are one of the best pedal investments you can make.
I use a CS3, love it. It's probably my most used pedal... it's almost on all the time. Much underrated effect.
I tried a Dynacomp, thinking I would upgrade... but preferred the CS3 in the end. If it's good enough for Nels Cline then it's good enough for me.
It can be a bit noisy at extreme levels, but with everything at near enough 12 O'clock it's perfectly bearable.
It helps the lack of sustain you can with some Fenders... making things generally easier, and often more musical.
DO it !!
I tried a Dynacomp, thinking I would upgrade... but preferred the CS3 in the end. If it's good enough for Nels Cline then it's good enough for me.
It can be a bit noisy at extreme levels, but with everything at near enough 12 O'clock it's perfectly bearable.
It helps the lack of sustain you can with some Fenders... making things generally easier, and often more musical.
DO it !!
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I'm using a dynacomp at the minute but have been sorely tempted by the Pigtronix Philosopher's Tone since the other guitarist in my band got one
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I used a home brewed Orange Squeezer, with the easy to do mod of an extra volume knob.. I can't remember, I built it ages ago but I think I may have used slightly 'wrong' components somewhere that made it even grittier... Though being able to use it for grit is a bonus and not really what it is for. I'm thinking of building an squeezer and Ross compressor in one box in order to give me more options.
The last proper band I was in were sort of folk/country indie punk.. So being able to do that telecaster + compressor + Fender amp thing, once in a while was needed.. and I still play those songs, if only to my self!
I kind of got distracted there:
If you are not going go the MXR or Boss or EXH route... received wisdom is: Analogue Man probably make the best orange squeezer clone but to be honest I'd probably go for the Fish Press by Greer Amplification and Keeley make a two and four know compressor that is supposedly the bees knees but is mega expensive.
I'd say if at all possible borrow one (or more) and have mess about and if you play in a band take it to rehearsal because they sound way different on an amp up loud, probably more so than other pedals.
The last proper band I was in were sort of folk/country indie punk.. So being able to do that telecaster + compressor + Fender amp thing, once in a while was needed.. and I still play those songs, if only to my self!
I kind of got distracted there:
If you are not going go the MXR or Boss or EXH route... received wisdom is: Analogue Man probably make the best orange squeezer clone but to be honest I'd probably go for the Fish Press by Greer Amplification and Keeley make a two and four know compressor that is supposedly the bees knees but is mega expensive.
I'd say if at all possible borrow one (or more) and have mess about and if you play in a band take it to rehearsal because they sound way different on an amp up loud, probably more so than other pedals.
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