timhulio wrote:If youse guys can't see how attempting to recreate a quirky and unique sounding/playing guitar with a similar shaped one only with bland, generic GFS style pickups and hardware is bad then I despair. Companies do this all the time and I'm bored of it. Just tool-up and build something cool for once.
Here's a pic from my archives. The one on the left lasted about six months before I got rid of it.
I wouldn't really compare these to the Hagstroms just yet. The differences in the Hagstrom reissues are huge-they ignored just about all the cues other than body shape-different controls and pickups (lifted directly from a strat), strat style trem, even the opposite color pickguard to what was offered on the originals. And IIRC didn't you paint that one blue from a bland black or silver? At least the 1478 LOOKS like its supposed to-they didn't just stick a strat trem and squier pickups on it.
The original hardware on the old Hagstroms was pretty good and solid. In their day they might have been a cheaper alternative to Gibson or Fender, but they were still "high end" compared to these old Silvertone/Harmony guitars. On the Hagstroms they did obviously take the lazy way out because instead of recreating hardware that worked then and would still work now, they put generic hardware that works now but just isn't as cool or unique. With these you're comparing cheap generic hardware of yesteryear to cheap generic hardware of today which is admittedly more stable. I do appreciate quirky old guitars, but the good news is that there are still plenty of those available and judging by the MSRP of the reissues they'll still be cheaper than the new ones. As I said, I think the biggest issue for me will be the necks...I'm A-OK with the other changes, but a big part of the appeal of these guitars to me has always been the baseball bat necks.