Epiphone "Thunderhorse"
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- westtexasred
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- westtexasred
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I don't know why they took so long to make this. When they released the $2k Gibson model tons of Dethklok fans and shred nerds were positing about wanting one but not being able to pay as much as that, or even for the guys who were they were struggling to find one because not many were made. It seemed a no-brainer to release them for $600 a time and sell shit loads of them. To the point where that was even the price I guessed it would be before opening the link.
Also, I have a neck with that fretboard material and it's absolutely fine. They're baked maple thing was bullshit but the phenolic ones get a pass in my book.
Also, I have a neck with that fretboard material and it's absolutely fine. They're baked maple thing was bullshit but the phenolic ones get a pass in my book.
Shabba.
- westtexasred
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As do Parker Fly.
I don't really mind as you don't "feel" a fretboard when you play. You press strings against frets, not fretboards... and on a bound neck you aren't even feeling the edges of a fretboard or anything. Don't see why it'd feel any different than playing a regular Gibson neck or a glossy Fender one.
I don't really mind as you don't "feel" a fretboard when you play. You press strings against frets, not fretboards... and on a bound neck you aren't even feeling the edges of a fretboard or anything. Don't see why it'd feel any different than playing a regular Gibson neck or a glossy Fender one.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
You happen to touch the fingerboard with parts of your fingers sure, that's why they get dirty. I don't see how this would feel any different to a glossy maple Fender board, for example.
And yeah, the strings contact the frets. To press them down on wood would be a sharp note (and before too long, a buggered board).
And yeah, the strings contact the frets. To press them down on wood would be a sharp note (and before too long, a buggered board).
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
Sorry, that's not what I meant by pressing on the fret. I just meant that when you fret a string all it needs to touch is a fret (like on a scalloped fretboard), I don't put my finger over the fret itself. Just the concept of making full contact with a fretboard, being able to feel it's grain under your fingertip etc... is low on the list of tactile experiences when fretting, in my opinion, because there's a string in between you and the guitar.
In any case I retract my posting of "you don't FEEL a fretboard", because everybody's fingers are different and it doesn't really matter... I just don't think a phenolic fretboard is going to jump out as a radically different "feel" to maple or even a well-played and/or oiled rosewood board to the vast majority of players in practice.
In any case I retract my posting of "you don't FEEL a fretboard", because everybody's fingers are different and it doesn't really matter... I just don't think a phenolic fretboard is going to jump out as a radically different "feel" to maple or even a well-played and/or oiled rosewood board to the vast majority of players in practice.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
Unless its vintage frets or very slinky strings and even then you'll have a hard time pressing them sharp enough to damage finger boards or make them touch
Fingers are fleshy and there are gaps between strings. I feel my finger board all the time when playing, and that's why material matters to some extent. I can't imagine that matte looking plastic to be very nice but I'd be willing to try.
I'm now a big fan of gloss maple for the slidiness
Fingers are fleshy and there are gaps between strings. I feel my finger board all the time when playing, and that's why material matters to some extent. I can't imagine that matte looking plastic to be very nice but I'd be willing to try.
I'm now a big fan of gloss maple for the slidiness
I personally like the idea of a phenolic fretboard, that shit is durable. NASA uses it for lightweight strong components and it's corrosion, heat, wear, & moisture resistant.
That actually sounds like something Dethklok would need.
That actually sounds like something Dethklok would need.
Doog wrote:Tone is stored in the balls
(she/they)theshadowofseattle wrote:That's why there's two: one for pee, one for tone.
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- westtexasred
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