New US made Fender Mustang from the American Facepalm series
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- BobArsecake
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To be fair, they did give that sort of thing a go from the late '90s through to about 2010.BobArsecake wrote:they should just have them as something new (lol) for kids who can't use the original set up.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
- BobArsecake
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- robert(original)
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as long as music store keep filling up with strats and teles and 1 store in 200 miles gets a new design in, then the new designs will never sell. i have never seen a marauder in a music shop. i have been to..... 5 since i got out and they were released. a couple big stores, and some mom and pop places. all fender dealers, all filled with strats and teles.
the closest thing i have seen to a new designed fender was the jaguarillo, which.... well, you know, and it was 18 feet up with no one around to get it down, that, and they NEVER have a fucking trem arm on hand.
the closest thing i have seen to a new designed fender was the jaguarillo, which.... well, you know, and it was 18 feet up with no one around to get it down, that, and they NEVER have a fucking trem arm on hand.
- BobArsecake
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That's because you're not using the industry term for it; reverb handle, Rob, you noob.robert(original) wrote:as long as music store keep filling up with strats and teles and 1 store in 200 miles gets a new design in, then the new designs will never sell. i have never seen a marauder in a music shop. i have been to..... 5 since i got out and they were released. a couple big stores, and some mom and pop places. all fender dealers, all filled with strats and teles.
the closest thing i have seen to a new designed fender was the jaguarillo, which.... well, you know, and it was 18 feet up with no one around to get it down, that, and they NEVER have a fucking trem arm on hand.
- robert(original)
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its funny you bring that up. it must have been.... 6-8 years ago. the avris were still around. i saw one at the G.C. in Indy and asked to jam on it, they got it down and i asked for the arm for the "vibrato unit" the guy looked at me like i just raped his mother, and then like he didn't understand that i raped his mother. basically it boiled down to me pointing out that calling it a "trem" was incorrect, and it was actually a vibrato and if he did some research he would find that alot of the old fender adds had "fender floating vibrato, or dynamic floating vibrato unit" blah blah blah blah.
-did he have the reverb handle? no.....
so i gave his mother a call
-did he have the reverb handle? no.....
so i gave his mother a call
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- Phil O'Keefe
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Re: New US made Fender Mustang from the American Facepalm se
I actually think it doesn't look half-bad. It's not exactly what I'd personally want in a new USA made Mustang, but if that's for real, I think it's encouraging. Think of what they did with the various versions of the Jag and Jazzmaster before they finally started making ones with the proper features... they had Jags with hardtail bridges and P90s, and all kinds of other oddballs that didn't look all that different than this mutt Mustang - can a US made Mustang with the right pickups, bridge and vibrato be all that far off?astro wrote:Really Fender? A new American made Mustang for the Les Paul fanatic? Why can't you just make what we want instead of what you think Gibson fans want? Hopefully this is a hoax.]
LANK
Heck, Fender is even reissuing the Coronado and Starcaster now... the Mustang is bound to get some love from Fender US eventually.
I keep holding out for a Electric XII reissue. That, and the mid to late 60s era Duo Sonic.
They call them American Specials because you have to be "special" to buy one. What a waste of good wood.
Tacky guitars made for simpletons.
Tacky guitars made for simpletons.
2001 Epiphone Slasher
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
I don't really get the whole angst with this. If you don't like it and don't want one just don't buy one? Fender and Squier have been releasing and reissuing sought after models for decent prices recently. This is a different market and believe it or not, people have different tastes in guitars.
I initially started out as a Fender player, as a teenager I bought a Mustang because I loved how it looked but I didn't get along with and don't think I ever will, I don't think I'll ever really seek out a guitar with single coils and tremolo again but I still love the Mustang shape. So as someone mentioned, it's a Mustang for Les Paul lovers - great!! I really want one of these.
Fender/Squier have been doing loads of cool stuff lately, not all of it is to everyone's taste.
I initially started out as a Fender player, as a teenager I bought a Mustang because I loved how it looked but I didn't get along with and don't think I ever will, I don't think I'll ever really seek out a guitar with single coils and tremolo again but I still love the Mustang shape. So as someone mentioned, it's a Mustang for Les Paul lovers - great!! I really want one of these.
Fender/Squier have been doing loads of cool stuff lately, not all of it is to everyone's taste.
Call me a window licker but I have an american special strat & it has to be one of the best guitars I've ever ownedHenryS wrote:They call them American Specials because you have to be "special" to buy one. What a waste of good wood.
Tacky guitars made for simpletons.
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
These guitars will perform well for those that don't get on with the traditional aspects of a Jazzmaster / Mustang.
Some people out there really love these guitars but don't have time for messing with the switching / and faffing with the bridge. It's a no brainer for a large majority of people, often the regular gigging type.
Some people out there really love these guitars but don't have time for messing with the switching / and faffing with the bridge. It's a no brainer for a large majority of people, often the regular gigging type.
It's sensitivity time now I suppose
oooooooooooooooooooooh.... touchy...
I wasn't referring to the american special strats/teles(seems like common sense, considering we're in a thread about the american special offsets)
Why buy a castrated Jazzmaster/Mustang? If you don't want the switches and offbeat setup then what business do you have looking at an offset in the first place?
That's like buying a sports car and using it for monster trucking.
I wasn't referring to the american special strats/teles(seems like common sense, considering we're in a thread about the american special offsets)
Why buy a castrated Jazzmaster/Mustang? If you don't want the switches and offbeat setup then what business do you have looking at an offset in the first place?
That's like buying a sports car and using it for monster trucking.
2001 Epiphone Slasher
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
Then get a Les Paul or Tele, have it last 30-40 years on the road and be happy. Why should beneficial features that have practical use be taken off for the casual market?othomas2 wrote:These guitars will perform well for those that don't get on with the traditional aspects of a Jazzmaster / Mustang.
Some people out there really love these guitars but don't have time for messing with the switching / and faffing with the bridge. It's a no brainer for a large majority of people, often the regular gigging type.
The sad thing is, the Jazz/Jag/Mustang aren't even that complicated and once you've got them figured out it takes no more maintenance that a Strat/Tele/LP to keep them set up and ready for anything you can throw at them.
Even sadder is these will sell like hotcakes because people are too impatient to educate themselves on how to operate the originals.
2001 Epiphone Slasher
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
...we're in a thread about american special offsets. Obviously I'm not referring to the american special teles or strats.lorez wrote:Call me a window licker but I have an american special strat & it has to be one of the best guitars I've ever ownedHenryS wrote:They call them American Specials because you have to be "special" to buy one. What a waste of good wood.
Tacky guitars made for simpletons.
You have a strat and you like it? Good on ya!
We're discussing offsets here bud.
2001 Epiphone Slasher
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
2003 Ibanez TM-71 Talman Artcore w/ GFS Mean 90's
2011 Squier VM Jaguar HH (sold)
1975 Alverez Acoustic
2012 Squier VM Mustang
1978 Fender Musicmaster
2012 Epiphone Firebird
Re: It's sensitivity time now I suppose
because you like the offset shape but prefer the functionality of having a hardtail and fewer switches?HenryS wrote: Why buy a castrated Jazzmaster/Mustang? If you don't want the switches and offbeat setup then what business do you have looking at an offset in the first place?.