I wish the my soundtrack won the award, but it was the film itself. Last summer, Chan-wook Park (Old Boy, etc.) selected the little flick I scored at the Mise-en-scène film festival, and now it's live and can be streamed. It was noted by locals who saw it to be a somewhat puzzling sci-fi flick of sorts, and since there are no subtitles(unlike the screened version) it should leave any viewer very well confused from start to finish. Here's the premise, unless you'd prefer to guess as to what's actually going on.
► Show Spoiler
And how does this relate to ss.org? Though long and boring without understanding Korean, from watching the film and hearing the music, some of you might be able to guess: The director was a real hardass on me for being too "melodic" in my first three attempts at scoring the early edits of the film, as her original idea of a "�gætis byrjun-era Sigur Ros" soundscape, as much as it excited us both at first, soon dissolved into more or less a (musical) sound design experiment, over half of which got cut out to focus more on the silence and desolate isolation the protagonist embodied. What made the final cut was a suite of very minimal short pieces.
In the end, I took some of the more coherent parts of my first few trashed tries and scrunched them all together...which became my 2014 Doom Compilation submatz of "The Man of Sorrows". Thank goodness for recycling, I'm grateful for the whole experience and glad both the final product as well as the tasty scraps could get some use.