A question for Strat players
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A question for Strat players
How many springs are on your trem? Took the back plate of my Vintage to have a look at how it was set up as it's the most stable and has the best feeling action of any S-type I've played... To find it only has 2 springs, which I was quite surprised at as I thought 3 was kind of the minimum.
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- theshadowofseattle
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This might be a bit of rubbish but I've read if you use 3 springs they should all be equally spaced and straight. Having the arrow formation means the 2 on the outside are stretched more than the one in the middle and therefore the 3 springs aren't under equal pressure. Probably makes little difference but just a thought.benecol wrote:Like using 3 in an arrow formation too, though.
- theshadowofseattle
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Why would equal pressure among the springs matter? The pressure is balanced against the pull of the strings and distributed symmetrically, so no one side is floppy, which is the important stuff.DanHeron wrote:This might be a bit of rubbish but I've read if you use 3 springs they should all be equally spaced and straight. Having the arrow formation means the 2 on the outside are stretched more than the one in the middle and therefore the 3 springs aren't under equal pressure. Probably makes little difference but just a thought.benecol wrote:Like using 3 in an arrow formation too, though.
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Three, all parallel.
I know not why, but it's got three of them on 10-46s, as purchased. More odd yet, six years on after buying it nearly blind at Ishibashi Shibuya (strummed chords for 60 seconds), it's the only guitar I've never had to make adjustments to, ever. I lucked out and I wish I knew why it had just three, but am simply glad that whatever bod at Fender Japan strung it up and gave it the bridge saddle/trem treatment apparently knew just what I needed.
I know not why, but it's got three of them on 10-46s, as purchased. More odd yet, six years on after buying it nearly blind at Ishibashi Shibuya (strummed chords for 60 seconds), it's the only guitar I've never had to make adjustments to, ever. I lucked out and I wish I knew why it had just three, but am simply glad that whatever bod at Fender Japan strung it up and gave it the bridge saddle/trem treatment apparently knew just what I needed.
3 if I want to use the trem, 5 if I don't.
The trem on my AV '57 is the best one I've ever used. Sets up easy and stays there, stays in tune, is nice to strings. On most other Strats I've set up its taken a bit more work for some reason, and I'm currently hard tailing my project Strat for this reason. I love to use Strat trems though.
The trem on my AV '57 is the best one I've ever used. Sets up easy and stays there, stays in tune, is nice to strings. On most other Strats I've set up its taken a bit more work for some reason, and I'm currently hard tailing my project Strat for this reason. I love to use Strat trems though.
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This Carl Verhoosen whatever guy claims that the claw needs to be slanted for proper string tension- makes zero sense to me.
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Tubz
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Tubz
Regardless of how many you use or in what arrangement, I always understood the crucial thing was to make sure that the springs are loaded when the guitar's sitting idle, as it were. IE that when not in use, there are gaps between the coils of the spring caused by it being ever so slightly extended by the tension.
Last edited by Bacchus on Mon May 19, 2014 9:11 pm, edited 1 time in total.
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Three, straight, with .011s and set to float. Quite functional with fairly stable tuning.
Technically not a Strat, I suppose, as it's a 2-post G&L Legacy, but should be basically the same.
Technically not a Strat, I suppose, as it's a 2-post G&L Legacy, but should be basically the same.
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