johnnyseven wrote:There have been many versions of the Distortion+ over the years, with differences in the sound between them. Are you talking about the current issue?
I had a reissue script version that sounded really good, the only issue was that the amount of volume available was pretty limited.
johnnyseven wrote:There have been many versions of the Distortion+ over the years, with differences in the sound between them. Are you talking about the current issue?
I had a reissue script version that sounded really good, the only issue was that the amount of volume available was pretty limited.
no volume issue on this one.
Depends on how hot and/or high your pickups are, if the pedal's output can keep up with it.
johnnyseven wrote:There have been many versions of the Distortion+ over the years, with differences in the sound between them. Are you talking about the current issue?
I had a reissue script version that sounded really good, the only issue was that the amount of volume available was pretty limited.
no volume issue on this one.
Depends on how hot and/or high your pickups are, if the pedal's output can keep up with it.
The issue I had with mine is that the volume control doesn't only affect volume, but the tone as well. The sweet spot was with the volume at around a half to 3/4 of the way up, but compared to other drive pedals I had on my board this made the MXR too quiet. So despite sounding really good it just didn't work for me in my set up. I guess if you're only using a Distortion+ and nothing else it wouldn't be an issue though. They may have sorted this in the current re-issue though, if that is the one Weeping Moon is using.
johnnyseven wrote:The issue I had with mine is that the volume control doesn't only affect volume, but the tone as well
Sounds more like an interaction with the front-end of your amp than something the pedal is doing? Otherwise, that's some weirdass output volume control.