
Nitro finish, traditional vibrato position and a standard bridge. The pickups don't have screws for poles, so they're not the p90s that were in it before.
I like it.
Moderated By: mods
Agree it likely increases sustain but theGeorge wrote:i think the break angle caused by the trem does affect tone is as much as a sharper angle increases sustain and bottom end, and helps keep strings from popping due to less compliance. probably marginal compared with the move from a hearty TOM to the floating style bridge though. that change will definitely decrease sustain and bottom end, but is part of that vintage sound.
Fran wrote:I love how this place is basic as fuck.
ekwatts wrote:I'm just going to smash it in with a hammer and hope it works. Tone is all in the fingers anyway.
THIS THIS THIS THIS THISekwatts wrote:The trem move was a functional change that didn't make the slightest bit of aesthetic difference and fucking worked. Why the fuck would they change it back?
Oh, yeah. Nerds. Fucking nerds.
Fakir Mustache wrote:Classic Shad Deluxe.
Nick wrote:Some of Shad's favorite Teles are black.
Fran wrote:I love how this place is basic as fuck.
ekwatts wrote:I'm just going to smash it in with a hammer and hope it works. Tone is all in the fingers anyway.
This. What an awful, and lazy, idea.ekwatts wrote:"Channel bound necks", that shit looks shit, yo.
They actually did have a mute in the early days IIRC. I can't seem to find a catalog from back then online, but somewhere I have an old Frontline magazine circa '98 or '99, and the AVRI Jag pictured in that one came with a mute.timhulio wrote:The Jag behind it has neck binding and a mute! Even the AVRIs didn't have a mute. Because it's pointless. Nice to see though.