A Riviera is too expensive, I saw people sell them for 650-800€ here in Italy. My country is a shitty place full of asshole thieves ready to speculate on stupid vintage and artist stuff (Squier JV series can be sold for 1000€ here, for example). Same price for a Noel Supernova in blue finish. With 700€, I could easely buy both an used Epi LP Standard and a Dot.Noirie. wrote:I saw both Noel and Bonehead's actual Rivieras at a Oasis exhbit in East London a couple months back.
Best guitar for playing Oasis
Moderated By: mods
- Golden_Sonic
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- Location: Italy
-Guitar: Squier VM Mustang, Squier CV '50 Duo Sonic;
-Amplifier: Hughes&Kettner Blue Edition 60;
-FXs: Dunlop Cry Baby GCB-95 Wah, Boss BD-2 Blues Drive, Proco RAT, Danelectro Cool Cat Tremolo, EH Small Clone, MUZA FD900, Bespeco Volume pedal.
-Amplifier: Hughes&Kettner Blue Edition 60;
-FXs: Dunlop Cry Baby GCB-95 Wah, Boss BD-2 Blues Drive, Proco RAT, Danelectro Cool Cat Tremolo, EH Small Clone, MUZA FD900, Bespeco Volume pedal.
Yeah, this. I always though the point was to take notes on how to not sound like Oasis.timhulio wrote:As a sort of historical perspective, and why your reaction from some UK guyz may differ from Noirie's, Frances Bean and other latecomersFrom 1995 to 2005, every single band on the UK toilet venue circuit sounded and looked exactly like Oasis. Thousands of pub guys in Adidas and Ben Sherman with oily hair playing cowboy chords on Epiphone Semis while drawling lazy vocals. Can you imagine what that was like? Can you? Do you know how frightened I am that it'll come back any time soon, or how my stomach sank when I saw the singer in Eagulls? I'm getting shivers now.
Last edited by Bacchus on Sun Aug 24, 2014 11:53 pm, edited 1 time in total.
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Bonehead stuck all his guitars in Johnny Roadhouse when he left for some quick cash. I stared at the Rickenbackers long and hard. He had a 12 string with this device that would hook onto the extra strings and move them out of the way so it could be a six string. It was fucking bollocks. The whole lot was a bit shit, to be honest. Shame the egos pushed him out in the end, though.
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Brandon W wrote:you elites.
Or you can buy one guitar that will be better than Epi LP and DotGolden_Sonic wrote:A Riviera is too expensive, I saw people sell them for 650-800€ here in Italy. My country is a shitty place full of asshole thieves ready to speculate on stupid vintage and artist stuff (Squier JV series can be sold for 1000€ here, for example). Same price for a Noel Supernova in blue finish. With 700€, I could easely buy both an used Epi LP Standard and a Dot.Noirie. wrote:I saw both Noel and Bonehead's actual Rivieras at a Oasis exhbit in East London a couple months back.
If I wanted their sound so bad, I'd buy either MIJ Sheraton/Riviera, either latest MIC reissue of Sheraton with Gibson mini humbuckers
ebay
shipping at least to Kazakhstan is not so expensive
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matte30is wrote:Someone man up and get a balloon.
- Golden_Sonic
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This is the trend of this year lol:sunshiner wrote:Or you can buy one guitar that will be better than Epi LP and Dot
If I wanted their sound so bad, I'd buy either MIJ Sheraton/Riviera, either latest MIC reissue of Sheraton with Gibson mini humbuckers
ebay
shipping at least to Kazakhstan is not so expensive
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If I had the money, I could buy this one for one simple reasons: the shipping cost is not so expensive if you buy it from Thomann. Anyway, Epiphone LP Standard or Dot, Vintage Icon and Harley Benton are the way now.
-Guitar: Squier VM Mustang, Squier CV '50 Duo Sonic;
-Amplifier: Hughes&Kettner Blue Edition 60;
-FXs: Dunlop Cry Baby GCB-95 Wah, Boss BD-2 Blues Drive, Proco RAT, Danelectro Cool Cat Tremolo, EH Small Clone, MUZA FD900, Bespeco Volume pedal.
-Amplifier: Hughes&Kettner Blue Edition 60;
-FXs: Dunlop Cry Baby GCB-95 Wah, Boss BD-2 Blues Drive, Proco RAT, Danelectro Cool Cat Tremolo, EH Small Clone, MUZA FD900, Bespeco Volume pedal.
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You cant really say they are shit though can you?NickD wrote:A Sheraton or similar will get you close. That one with the mini humbuckers and compensated tailpiece looks great.
However, please consider listening to a less shit band. Oasis and their ilk put me off guitar music for years and Liam Gallagher is a grade A cunt.
I mean you might not like them and thats all cool but the millions upon millions of album sales and sell out concerts etc kinda suggests a lot of people thought they were good.
Of course I can, it's my opinion. Take That are shit as well, and they've sold millions of records too. There is no accounting for taste.meltedbuzzbox wrote:You cant really say they are shit though can you?NickD wrote:A Sheraton or similar will get you close. That one with the mini humbuckers and compensated tailpiece looks great.
However, please consider listening to a less shit band. Oasis and their ilk put me off guitar music for years and Liam Gallagher is a grade A cunt.
I mean you might not like them and thats all cool but the millions upon millions of album sales and sell out concerts etc kinda suggests a lot of people thought they were good.
I'm not going to judge people for the bands they like, but I still think Oasis would make a shit pub band, let alone our best hope in the 90s, and they were massively disappointing after the music that came before them.
I would love to see this for the unintentional comedy. But I could see how that would be maddening.timhulio wrote:From 1995 to 2005, every single band on the UK toilet venue circuit sounded and looked exactly like Oasis. Thousands of pub guys in Adidas and Ben Sherman with oily hair playing cowboy chords on Epiphone Semis while drawling lazy vocals. Can you imagine what that was like? Can you? Do you know how frightened I am that it'll come back any time soon, or how my stomach sank when I saw the singer in Eagulls? I'm getting shivers now.
paul_ wrote:When are homeland security gonna get on this "2-piece King Size Snickers" horseshit that showed up a couple years ago? I've started dropping one of them on the floor of my car every time.
- Concretebadger
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The same thing happened with the Strokes though, didn't it? Seemingly every sodding week during the early to mid 2000s, a NY-style 'garage rock' Strokes soundalike band with lazy vocals (with a different accent this time), bed hair, a name that worked on the "The [something]s" formula and in-one-ear-and-out-the-other riffs were championed by NME as the Next Big Thing. The press always latches on to whatever happens to be big at the time, and that's what happened with Oasis in the 90s. There was nothing wrong with one band sounding like Oasis; there's a lot wrong with a dozen bands trying to sound like them.
It is curious from a non-uk perspective. Really we only got oasis and a bit of pulp from the Brit pop era, blur couldn't really get a big impact until song 2, so we never had the "overplayed" factor (except wonder wall).
For the Brits, outside of the overplayed stuff, what are your opinions on the b-side stuff or Noel's solo work? Even outside of traditional oasis sounding stuff, I think he is a great songwriter, and out together some really interesting stuff like "importance of being idle" or "the death of you and me"
For the Brits, outside of the overplayed stuff, what are your opinions on the b-side stuff or Noel's solo work? Even outside of traditional oasis sounding stuff, I think he is a great songwriter, and out together some really interesting stuff like "importance of being idle" or "the death of you and me"