Any one played a gibson 339?
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- Progrockabuse
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Any one played a gibson 339?
Hey all, I've asked nickd the same question but gonna open it up here.
I've seen a 2011 custom shop 339 for sale locally and I'm quite tempted. It's currently up for £1,375. Not sure if that's a good price or not.
Anyone got any thoughts?
Link to the guitar that's for sale
http://www.guitars4you.co.uk/gibson-cus ... sed+++1443
I've seen a 2011 custom shop 339 for sale locally and I'm quite tempted. It's currently up for £1,375. Not sure if that's a good price or not.
Anyone got any thoughts?
Link to the guitar that's for sale
http://www.guitars4you.co.uk/gibson-cus ... sed+++1443
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If you like a 335, in a smaller size, yes. I like the regular 335. But all the 339s I've tried have been nice, but Gibson made a few different variations.
Here is a good photo from Harmony forums of the general size difference.
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Here is a good photo from Harmony forums of the general size difference.

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- BobArsecake
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I like 'em, the ones I've handled being really flexible in the toanz dept. and sounding to my ears like a good Dot should.
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I might have told this useless story, but for what it's worth...
A close producer/guitarist friend of mine Daniel Hong was a student of the late Ross Bolton at M.I., and ended up buying Ross' ES-339 before leaving the States. Despite careful humidity/temperature care in his private Seoul studio, over the course of about 2 - 3 years the guitar's fretboard started to go wacko and do something I've never seen before: essentially the radius began to "flatten out" from about the 7th fret up, causing the frets to sprout not on the edges, but down the middle, if that makes any sense. The rosewood fortunately didn't split, but Daniel got rid of it a few months after it became unplayable and leaving guitar techs scratching their noggins.
Long story with an interesting ending (for a professional session artist): He sold all of his other guitars while he was at it and now plays everything on an MIA '62 RI Telecaster
_____________________________
I might have told this useless story, but for what it's worth...
A close producer/guitarist friend of mine Daniel Hong was a student of the late Ross Bolton at M.I., and ended up buying Ross' ES-339 before leaving the States. Despite careful humidity/temperature care in his private Seoul studio, over the course of about 2 - 3 years the guitar's fretboard started to go wacko and do something I've never seen before: essentially the radius began to "flatten out" from about the 7th fret up, causing the frets to sprout not on the edges, but down the middle, if that makes any sense. The rosewood fortunately didn't split, but Daniel got rid of it a few months after it became unplayable and leaving guitar techs scratching their noggins.
Long story with an interesting ending (for a professional session artist): He sold all of his other guitars while he was at it and now plays everything on an MIA '62 RI Telecaster

Epi's necks are stupid because their have pronounced shoulders, if you compared Gibson's 59, which is fuller but rounder, to Epi's Slim taper, you would like 59 better even if you have rather small hands. Though Gibson's 60's neck is more a slimmer version of 59 than a Slim Taper.
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- Concretebadger
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For the record, I'd get one if I could afford it. Preferably with the opportunity to try out both neck profiles to see which one's more comfortable.
I effing love the sound and feel of a semi-hollow, but the full-size archtop body is a bit cumbersome for those of us of a less-than-huge stature. It's fine for the studio, but I'd definitely go for the 339-sized body for live stuff.
I effing love the sound and feel of a semi-hollow, but the full-size archtop body is a bit cumbersome for those of us of a less-than-huge stature. It's fine for the studio, but I'd definitely go for the 339-sized body for live stuff.
- Progrockabuse
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Thanks guys, From link gather it's a 58 style neck. Think I'll nip over and try it out tomorrow and see what it's like.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST