Doog wrote:I know that the idea on a Strat is that the neck pup is under the hypothetical 24th fret for PROPER HARMONICS or whatever.
Maybe it IS a tonal choice here, but more realistically, it's just an aesthetic one, especially on a guitar made of hardboard or whatever. Maybe given the thinness of the bridge pup, a 'normal' placement would be too much, especially with the 'both' setting being wired in series rather than parallel?
TLDR: Gayhaterz don't care about harmonics neither, mane.
i agree it's probably aesthetics, and it does look cool because of it. there's maybe something to be said for it being a tonal choice but i don't know... i'm just saying that for me, it's still great sounding, but not optimum. i spend most of my time on the neck pickup though so those harmonics are pretty important as i feel at home with them. the middle position is actually louder than separate so maybe there's some magic going on that you're describing (directly contrary to teles and strats)
also the bridge pickup is already decidedly thin and underwound already as per most vintage guitars. the bridge pup position itself works very well for me though and gets that rickenbacker vibe. definitely not like a tele though. for you doog, i think you'd want to look at an aftermarket overwound gfs bridge pup for what you typically play. to set volumes my bridge pickup is jacked up while the neck still is low enough that it starts to lose some clarity and bite. its a bit of a balancing act.
one thing you'll love is the neck though. it's 15" radius with a D profile, and the 12 string at least is comfortably wide. love it. you could definitely shred it up if you got it set up right