I picked up one of these on Ebay. It just arrived. I am very pleased with it. I just have some minor things to tweak to get it perfect.
The good: the neck is awesome shape wise and the body is comfy, the glitter finish is gold over charcoal and looks really cool, the black guard and hardwear is pretty cool, pickups sound good, tuners are great.
The meh: the humbucker mounting screws seem too long (they poke up above the bridge), the saddle height screws are different length for some reason, and the neck needs some relief ( a little fret buzzing going on.)
Yeah, I'm not sure what's bothering me about it. I've always quite liked the look of Jagmasters. Maybe it's because I'm used to seeing a hum bucker in the neck leaving less of an expanse of plastic. Not sure.
Could be. The pickups are actually well balanced. Better than other guitars I have that are H/S. Wish I knew why the humbucker mounting screws are too long. They look stock. Kind of bugs me that I will need to take the bridge off to get that fixed. LOL
Since I was working on my white Mustang's neck, I figured I would fix this ones as well. Nothing wrong with it. Just a bunch of dings. I have gorilla glue gel that I dropped in the dings after I used synthetic steel wool to satin the back of the neck. While the neck was off, I fixed the bridge pickup.
I clipped the screws a little shorter and also moved the pickup wire and it sits down flat now. Perfect.
I also swapped height adjustment screws on the saddles. The longest ones were in the lowest saddles and I was concerned about cutting my hand on them. Much better now.
It doesn't look pretty, but it feels awesome now. Satin polished finish. The dark spots are the filled dents. It has a vintagy look to it now and feels amazing.
I keep going back to the guitar to play. The price on these are ridiculously low in my opinion. Under $400 for a Japanese guitar like this is a no brainier.
I can't agree more, a good number of Fernandi float around here in the local market, and it's amazing how good most of them are for so much less than so-called name-brand guitars. The vintage P-Bass models are especially hot stuff. And when Cindi and I take her folks to Japan this Fall to celebrate her dad's 70th, I have a feeling I'll likely be dropping by the Fukuoka Parko Ishibashi be bring something back with me...one of the Ken signature models, no doubt