Guitar you swear by that got panned when it was released...
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Guitar you swear by that got panned when it was released...
Was discussing this with a mate earlier, I have a Highway 1 Tele that's been my number 1 guitar for the last 11 years. But I remember them getting slated all over t'internet when they were new (they get a better rep now). Was saying that I seen Mogwai a few years ago and Stuart was playing one if those 80s two knob freeflyte strats, the ones with the jack socket in the pickguard which I remember were said to be utter shite back in the day but are now reasonably sought after (he still breaks it out now and then). So what is your unsung hero?
I recall everyone loving the 51 actually except for me.
I oddly enough always really liked the highway 1 teles from the begining. I think at the time there were complaints that it was really assembled in the US with MIM parts or something like that and the finish was easily worn by guitar stand foam.
I think the Gibson Explorer, V, Marauder all fit this
I oddly enough always really liked the highway 1 teles from the begining. I think at the time there were complaints that it was really assembled in the US with MIM parts or something like that and the finish was easily worn by guitar stand foam.
I think the Gibson Explorer, V, Marauder all fit this
I think the explorer and V were just ahead of their time, that was a style thing. Once you got into hard rock / metal they were everywhere. the jet king was overlooked the original ones like Doog's are cool. also I was thinking more about ones you own that people had a dig at but now see the merit in.
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Squier don't work like that. For anything that falls outside of the standard strat and tele ranges that they produce almost continuously, they basically tool up, manufacture a shit-ton of Duo-Sonics, 51s, etc, then shut it down and do something else. It's not so much that they get discontinued, they're only ever produced in limited quantities anyway, as I understand it.

Brandon W wrote:you elites.
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Like the Series 24 guitars?ekwatts wrote:Squier don't work like that. For anything that falls outside of the standard strat and tele ranges that they produce almost continuously, they basically tool up, manufacture a shit-ton of Duo-Sonics, 51s, etc, then shut it down and do something else. It's not so much that they get discontinued, they're only ever produced in limited quantities anyway, as I understand it.

Them are Guildswesttexasred wrote:Like the Series 24 guitars?ekwatts wrote:Squier don't work like that. For anything that falls outside of the standard strat and tele ranges that they produce almost continuously, they basically tool up, manufacture a shit-ton of Duo-Sonics, 51s, etc, then shut it down and do something else. It's not so much that they get discontinued, they're only ever produced in limited quantities anyway, as I understand it.
matte30is wrote:Someone man up and get a balloon.
The guitar I will never sell
(because no one will buy it)

1980 Gibson Sonex Custom
Has a lovely fat, worn neck that's just so comfortable (ebony on maple). I have a bit of a love hate thing with the Dirty Fingers, and all the controls are wired in some bizarre way that turning down the neck volume (when not selected) for instance, rolls off treble on the bridge pickup. Still haven't figured out what the coil switch does, I think it puts both pickups into some sort of series configuration. Anyway, it's pretty resonant for something that is mostly made of glue.
(because no one will buy it)

1980 Gibson Sonex Custom
Has a lovely fat, worn neck that's just so comfortable (ebony on maple). I have a bit of a love hate thing with the Dirty Fingers, and all the controls are wired in some bizarre way that turning down the neck volume (when not selected) for instance, rolls off treble on the bridge pickup. Still haven't figured out what the coil switch does, I think it puts both pickups into some sort of series configuration. Anyway, it's pretty resonant for something that is mostly made of glue.