I don't really know, but I'm guessing that if you could find the pearloid plastic veneer, it would be pretty easy. Just cut it and glue it on. Although I suppose if you didn't want the added thickness you'd have to plane the body down a bit.
Nah, actually, looking at it again, the plastic curves round the contours and meets, so it's like a moulded casing around the guitar. That'd be way harder, and not something I think you could do yourself. Unless you have a vacuum moulding device?
Gavin wrote:Nah, actually, looking at it again, the plastic curves round the contours and meets, so it's like a moulded casing around the guitar. That'd be way harder, and not something I think you could do yourself. Unless you have a vacuum moulding device?
Gavin wrote:Nah, actually, looking at it again, the plastic curves round the contours and meets, so it's like a moulded casing around the guitar. That'd be way harder, and not something I think you could do yourself. Unless you have a vacuum moulding device?
I thought that sort of thing was basically just a sticker over the finish. I've seen pictures of guitar with shiny/flashy/holographic bits on it and every time it was a sticker. I don't know for sure if this thing is but it looks that way to me.
I don't know how thay do it, but paper is a good answer.
Notice Warmouth only did the front. Wrapping the edges is the beyotches. I wonder if you got pearly in a single layer how bendy it would be--might not be bad. I would like to see it on a Tele with a sharply delineated edge, better still with binding. Then it would have a natural stopping point.
I don't think I would want to encase an entire guitar in thick plastic unless it was to make a statement that all differences in wood tones are a hoax on electric guitars. Does the difference matter, and will anyone hear it from my basement? That sort of thing.