I was thinking getting another to - have one set for OD & the other for lead/distortion.euan wrote:I have two now I like it so much. Picked one up off eBay the other day for pocket change.Johno wrote:Agreed - Truly brilliant pedal.
Overdrive in need
Moderated By: mods
I'd say an OD-3 is a good place to start , since you could enjoy a happy trashing at guitar center where they're easily demo'd, and it is a safe, well balanced light to mid-gain OD that responds nicely to most setups.
I'm not a fan of humping (other than the stuff I get at home), but if you dig Toob Sqweeemah midranginess but want more potential gain on tap (and they say it retains cleantone clarity quite well even when up'd in the gain), the Cusack Screamer might be an option. They've got a used one that isn't selling in a downtown Seoul shop that I might checkout to feed into me EGDM.
I'm not a fan of humping (other than the stuff I get at home), but if you dig Toob Sqweeemah midranginess but want more potential gain on tap (and they say it retains cleantone clarity quite well even when up'd in the gain), the Cusack Screamer might be an option. They've got a used one that isn't selling in a downtown Seoul shop that I might checkout to feed into me EGDM.
- Mike
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Word. It's a complete workhorse and very amplike.ultratwin wrote:I'd say an OD-3 is a good place to start , since you could enjoy a happy trashing at guitar center where they're easily demo'd, and it is a safe, well balanced light to mid-gain OD that responds nicely to most setups.
What amp setup is this overdrive for by the way?
- dots
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amen. plus, you can't argue with the price or how easy it is to get your hands on one.Mike wrote:the Boss would be a good place to start. It retains bass nicely.
paind00d, if you're into the boutique thing or having somebody here build a pedal for you, i'd recommend getting the od3 first and then have somebody build one. it's versatile enough to hold you over until the build is done.
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actually had the Daddy-O for years on board.. however everytime we went to record the engineer and I would say "What is that shitty crackling?" It.. everytime.. was the Daddy-O.Mike wrote:Tell me more about the kind of overdrive you want...
Danelectro Daddy-O
Hmm.. what kind of sound? I don't really know. I figured I'd know it when I heard it.
Bah.. I'm going guitar shopping too.. so I don't know what I want. Just something different I suppose.
I've usually trained like 3 ODs with each one progressively a little louder and dirtier. As the parts call for it I turn on another one. That.. with a couple EQ pedals.. and you sound like 7 guitarists.
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- paincake
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ah.. hm. I've got a tubescreamer we could pull off and mod. If anyone here can help me.. that'd be rad.dots wrote:paind00d, if you're into the boutique thing or having somebody here build a pedal for you, i'd recommend getting the od3 first and then have somebody build one. it's versatile enough to hold you over until the build is done.Mike wrote:the Boss would be a good place to start. It retains bass nicely.
I play through a 2x12 Musicman (think twin) and a Fender Hot Rod Deville. I don't run my gain as I have always had my pedals do all the work. That way I get the full range of clean to grit.
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- dots
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ever had it checked out? mine's pretty quiet. . .paincake wrote:actually had the Daddy-O for years on board.. however everytime we went to record the engineer and I would say "What is that shitty crackling?" It.. everytime.. was the Daddy-O.Mike wrote:Tell me more about the kind of overdrive you want...
Danelectro Daddy-O
CHECK THE OD3.
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it was quiet when not played.. but the actual overdrive seemed to have this highend "crackly" break up. Could be that particular pedal. Just time to move on I suppose. I treated me well for 4 years or so.dots wrote:ever had it checked out? mine's pretty quiet. . .paincake wrote: Danelectro Daddy-O
Last edited by paincake on Fri May 04, 2007 9:28 pm, edited 1 time in total.
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ok.. done n done.
edit: In reading about the OD-3 the first review warns about playing it with humbuckers - it will sound like distortion. I play a fat strat now and am looking for a new fiddle (which may or may not have humbuckers). Any experience with that?
Still looking if anyone knows how to do mods to a tubescreamer...
edit: In reading about the OD-3 the first review warns about playing it with humbuckers - it will sound like distortion. I play a fat strat now and am looking for a new fiddle (which may or may not have humbuckers). Any experience with that?
Still looking if anyone knows how to do mods to a tubescreamer...
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Lesson one - don't read online reviews - use your ears.paincake wrote:ok.. done n done.
edit: In reading about the OD-3 the first review warns about playing it with humbuckers - it will sound like distortion. I play a fat strat now and am looking for a new fiddle (which may or may not have humbuckers). Any experience with that?
Still looking if anyone knows how to do mods to a tubescreamer...
I only use Humbuckers and it sounds great - like an overdrive. I could help you mod your tubescreamer but you should just bin it. I hate tubescreamers.
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Crowther Audio
After a long time of searching and listening, I've finally settled on a Crowther Audio Hotcake for most of my Overdrive needs.
It's handmade in NZ by an ex-drummer for Split Enz, Paul Crowther and is really quite a cool pedal. Very transparent. You can roll the Drive back and set the tone to a spot where the pedal is absolutely neutral. Same sound on and off and then bring up the gain from there.
What sold me is that it doesn't drop any of the low end out of your tone with the Drive. It just gets crunchier and crunchier as it goes up but the tone underneath doesn't change. It ended kicking a much beloved 70's Maestro Fuzz off my rig. (& I plan on taking that thing with me to the grave)
It also does another neat trick where you can roll the Drive way back and kick up the Presence and it works as a nice spanky boost. (used that for some recording.)
They seem to pop up on Ebay with fair regularity and as far as "boutique" pedals go, they're pretty reasonable used. I think I got mine for around $125 used.
It's handmade in NZ by an ex-drummer for Split Enz, Paul Crowther and is really quite a cool pedal. Very transparent. You can roll the Drive back and set the tone to a spot where the pedal is absolutely neutral. Same sound on and off and then bring up the gain from there.
What sold me is that it doesn't drop any of the low end out of your tone with the Drive. It just gets crunchier and crunchier as it goes up but the tone underneath doesn't change. It ended kicking a much beloved 70's Maestro Fuzz off my rig. (& I plan on taking that thing with me to the grave)
It also does another neat trick where you can roll the Drive way back and kick up the Presence and it works as a nice spanky boost. (used that for some recording.)
They seem to pop up on Ebay with fair regularity and as far as "boutique" pedals go, they're pretty reasonable used. I think I got mine for around $125 used.
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times a million.dots wrote:dots wrote:CHECK THE OD3.
the blues drivers are awesome, but ive never had one on my board. ive had an od-3 for 2 years and its been my go to overdrive/boost (besides my awesome bad monkey) for the full two years. i traded an old voodoo labs overdrive for it. not sparkle drive, overdrive. it was cool, but really kinda ratty.
anyway, i fully endorse the od-3.
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