I thought about posting in the diary/journal thread to not be such a sore thumb to the eyes, but then again what the heck. Journal and a half it is, and what a lucky sucker I am...again.
Just got back from the Moollon shop, checked out what's up and came away with some promised goodies. The big news? Mr. Park has been working on a Marshallesque 18 watt head for years now, and said they're getting closer to what he's been after for a while. Handwired from a turret board as many would expect, it sounded sooper sweet to me, but he mentioned that he's yet to find a power transformer that has the under-refined power grit of vintage transformers that lack the fidelity, but provide the rock, so to speak. Korean tranny makers keep asking him why he wants "deficient" parts, and he said it might take a while to find something sufficient. At any rate, plans are to make just heads(no combos) for the domestic market, and the Moollon twist on the casing is almost as much an enigma to solve as the transformer issue. Camera phone pics suck, but anyway...
While on a trip to the testing studio before heading home, he asked me if I wanted to try out his original Uni-Vibe, so I strapped on a vintage '70s Strat and plugged into an old JTM45 on "10", and let the thing swirl. The warmth alone gave me the chills as I rolled the guitar volume pot down about halfway and chugged away, and then let the Marshall brightly shriek away as I cranked the thing up and had a few kicks with the speed pedal. Really good fun, although I froze up a bit in front of the man himself, he's a trew rocker and I just like to pound out 1st inversion major 9 chords half the time.
No doubt one of the better parts of the day was him handing me a few pedals, once telling me that "casing flaws prevent all etched boxes from being used", and that he'd assemble a few internals when he had the time to keep them from going to waste. That being said, I could find nothing wrong with the two he passed in my direction, a compressor and distortion box, personalized with "built for Andreas"....(Andi as I am by nickname, I go by the formal Swedish/Euro spelling 'round these parts) With no serial number or warranty card to show how personal things are, with "Andreas" scribbled on the inner tag. The comp has been one of my favorite Moollon effects that I had yet to purchase, being so quiet and smooth, and really sounds great on milder settings. The dist is an interesting one, being more a heavy OD that does a lot what the JTM45 does, as it gets a bit brighter as distortion increases(gain down is a clean boost), but in general has an almost flat EQ curve that makes a great rhythm chunker, like a slightly flatter EQ'd OD-3 with a bit more gain on tap, yet very transparent. A Micro POG and my collection will be complete...
Lucky Sucker
Moderated By: mods
Sooper cheers, Yoowie and Mike.
The guy passes on so much cool stuff to me, half of it being info about the history of gear, I wish I had an mp3 recorder sometimes. His 20 minute talk on the history of '60s Vox wahs was a real headache, though.
Couldn't really give a proper judgement on the 18 watter, he had it running (as expected) through a reissue Bluesbreaker cab, but there were a few guests in the shop and it was barely on "3" or so out of courtesey, so we just fingered a few delicate lines without letting the thing really sing. Sounded nice and warm to me, but no break-up could obviously be reached at such levels. We'll see how it goes, I reckon it should be just a matter of weeks before they'll be wiring a couple a week.
The guy passes on so much cool stuff to me, half of it being info about the history of gear, I wish I had an mp3 recorder sometimes. His 20 minute talk on the history of '60s Vox wahs was a real headache, though.
Couldn't really give a proper judgement on the 18 watter, he had it running (as expected) through a reissue Bluesbreaker cab, but there were a few guests in the shop and it was barely on "3" or so out of courtesey, so we just fingered a few delicate lines without letting the thing really sing. Sounded nice and warm to me, but no break-up could obviously be reached at such levels. We'll see how it goes, I reckon it should be just a matter of weeks before they'll be wiring a couple a week.
- Mike
- I like EL34s
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I would love to be in your position, around all that gear and working for a company that has a really nice blend of forward thinking and traditional/classic vibes (no pun intended). I would literally be squeeling like a schoolgirl constantly though.
If someone was handwiring a Marshall 18 Watt clone and let me play it I would give them sloppy kisses. There is a choke on that head (as there should be), you'll have to let us know how it sags if you do get to wind it up in the future.
For some reason I think tube model numbers written on chassis' in a nice hand is incredibly hot.
If someone was handwiring a Marshall 18 Watt clone and let me play it I would give them sloppy kisses. There is a choke on that head (as there should be), you'll have to let us know how it sags if you do get to wind it up in the future.
For some reason I think tube model numbers written on chassis' in a nice hand is incredibly hot.
- theshadowofseattle
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Re: Lucky Sucker
Somebody turn on the Bean Dip signal.ultratwin wrote:Korean tranny
Fakir Mustache wrote:Classic Shad Deluxe.
Nick wrote:Some of Shad's favorite Teles are black.
there's like this site dedicated to 18watt marshall clonez.
http://www.18watt.com
i just ran across it the other day, may be relevant to interests?!
http://www.18watt.com
i just ran across it the other day, may be relevant to interests?!