bone nut hype

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robert(original)
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bone nut hype

Post by robert(original) »

how many of you(i know your out there)
believe the hype about a bone nut making your guitar sound better?
the only reason i ask is becuz i just make a manolin nut(out of bone) for a customer.
this was the jist of the convo.
customer "the bone nut will really bring out the true tone of my mando"
me "but you have a zero fret so you won't actually have any real string to nut contact"
customer "huh?"

basically its a kay mando, all laminated, and with a zero fret.
so obviously the nut is just there as a string guide and there is no tonal advantages of it.
either way she still has to fork out 30 bucks when she could have gotten a 5 dollar plastic nut and gotten the job done just as well.
unless you do alot of open tunings/chords there is no need to splurge on a bone nut.
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Post by Haze »

yeah, with a zero fret, you might as well use peanut butter =/

i dont see the hype because i dont do alot of open stuff

but i will say that if you do use alot of open stuff, a brass nut will give you a more even tone
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robert(original)
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Post by robert(original) »

tru, i has a brass nut on the tele i made myself, partially becuz i get some good string movement with my trem, and i do alot of open chords n junk.
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Post by Justin J »

i put a brass nut on my telecaster because a few months after i started playing i broke the plastic one that was on there. i knew nothing about tone and mojo, i just picked brass 'cause i figured it'd be indestructible. i cut it myself with a dremel and it's super haggard, but it's held up well for the last 7 or 8 years.
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Post by turtle »

I do a lot of bending and I ABSOLUTELY feel the difference with a roller nut

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Post by turtle »

of course that has nothing to do with bone nut hype

but a nut nonetheless
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Post by iCEByTes »

In My Humble Opinion over Acoustic Stuff such like Guitars , Mando , Every acoustic instruments is not an hype it´s do the difference

true cow bone difference is brutal on acoustic stuff dude
Tone differences on electric guitars are small on eletric advantage it´s more solid and strings run´s better ,
... but on acoustical it´s very brutal very mental ...

- others things do influence are :
Solid sides , back , and good top
Goma-laca finish , French way , Because Nitrocellulose and PU kill tone on acoustic stuff
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Post by Mo Law-ka »

i love you icey. :D
jcyphe wrote: Mo is the most sensible person in this thread.
icey wrote:and thats for the hatters (╯°□°)╯︵ ┻━┻
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Post by Ninja Mike 808 »

I think you may tell the difference if you could A/B them, ya know. Like, record somethin' with the plastic and then record somethin' with the bone (just switching the nuts in between recordings). But, I doubt you'll notice anything just by walking into a room and hearing a person play one.
If you think of god as a pair of pants, a spiritualist thinks he needs pants, in fact he wants pants but none of the conventional types of pants seem to fit just right, so he makes his own pants and is happy that his knees are no longer cold.-fibus
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robert(original)
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Post by robert(original) »

the main thing about my rant is. no matter what your nut is made out of, the exact moment you fret a note, the nut material is obsolete.
and if you have a zero fret then even when the string is plucked open the material for the nut means nothing.
I just get tired of hearing people "try" to tell me how much better bone is over plastic or graphtec or something like that.
the graphite stuff is great for a trem user, but if you don't use a trem, there is not use for it.
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Post by DGNR8 »

Robert's right. It's a lot of hooey.

But just to see what would happen, I just hit a tuning fork on a table and let it resonate on random, handy things, like the table, a plastic alarm clock, the wall, and a thick metal lamp. Strangely, the alarm clock and the wall had the clearest tone. The lamp had very little and the pine table was somewhat dampened. Even after I stopped hearing it on the table I could hold it against the wall and hear it. I deduce that thickness of the object has something to do with it. A nut is so thin and relatively hard it shouldn't matter that much. Going from plastic to brass may be different. Tuning forks are metal, happy meal forks are plastic.

I bet it wouldn't be that hard for Fender to cast a plastic nut with heavier density than the old ones.
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robert(original)
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Post by robert(original) »

youve got some damn good points there my friend.
i spose it makes sense when you realize that every stock plastic nut has lil bits on the bottom missing and some acoustic nuts are hollow.
i wonder what it would be like if the nut was.... 6 times bigger than a gibby nut. but the only difference would be on the open note.
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Post by More Cowbell »

I want to do a bone nut and saddle on my acoustic, to see if anything changes.
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Post by iCEByTes »

More Cowbell wrote:I want to do a bone nut and saddle on my acoustic, to see if anything changes.
good luck

i loved the changes on Melissa and my Raymundo Y Aparicio 128
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Post by dodgedartdave »

I like bone nuts, but not for the "tone". I like em because they are a good consistency to file and they are easy on strings. They are kinda self lubercating in a way. They are less likely to do the "kink, kink" thing as you tune up.
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Post by robert(original) »

they are a bit better to work with, unlike micarta which i find chips out fairly easily.
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Post by Will »

They're reliable and durable - good reasons to like 'em. I think the sound thing might be due to the slots being more durable and not getting all ground down and buzzy. I sprung for one on my 335, but well cut plastic would work and sound just as good.
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Post by DGNR8 »

Bone stinks to work with though. It feels a little like Dauchau in my shop.

I just got me an acoustic like Cowbell's! It was the fastest shipping I have thus encountered. BIN on SUnday, here on Wednesday. I had bought a little Martin from a local punk rock girl who busted a hole in it and although I fixed it easily enough, I decided it bothered me that it isn't really wood on the sides and back (it's high pressure laminate wood material). It sounds as clear as a bell, but my boner was gone. I started doing the research on cheep guitars and I determined that Epiphone is the best bang for the buck. I looked at a few vintage, but this black one with stars came up and I pulled the trigger for $200. It was perfectly tuned through the shipping and in flawless shape. I had been wanting something other than dots even though I guess I could dig my own inlays.
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Post by More Cowbell »

DGNR8 wrote:Bone stinks to work with though. It feels a little like Dauchau in my shop.

I just got me an acoustic like Cowbell's! It was the fastest shipping I have thus encountered. BIN on SUnday, here on Wednesday. I had bought a little Martin from a local punk rock girl who busted a hole in it and although I fixed it easily enough, I decided it bothered me that it isn't really wood on the sides and back (it's high pressure laminate wood material). It sounds as clear as a bell, but my boner was gone. I started doing the research on cheep guitars and I determined that Epiphone is the best bang for the buck. I looked at a few vintage, but this black one with stars came up and I pulled the trigger for $200. It was perfectly tuned through the shipping and in flawless shape. I had been wanting something other than dots even though I guess I could dig my own inlays.
You has the everly brothers too???

I need new tortoise pg material for mine, I want to dew it up like the gibson version.

Neck is really thin eh?
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Post by JamesSmann »

huh-huh.

"bone nut"