Marshall Amplifiers FAQ
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- Mike
- I like EL34s
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No, biasing is setting the operating voltage of the tube to be in a "good operating zone" between cut-off and saturation. This is based upon the Plate Power Dissipation of the valve and the plate voltage and is used to set the appropriate cathode current to an appropriate value to put the valve into the operating zone to dissipate betwen 70% (hot) and 50% (cold) of the Plate Voltage (Class AB pushpull amplifiers) or 90% in Class A single ended amplifiers.
Your amp is Class A.
Your amp is Class A.
- Mike
- I like EL34s
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No, you'll be fine. They'll have designed the circuit to accept a power tube and cope with the differences in tolerances of the manufacturing process - this is simple to do with one tube in a single-ended configuration.
Two or more tubes arranged in a push-pull (one tube amplifies top half of the wave, the other tube does the bottom) is non-trivial, but it can be done (as it is in Fender Twins). The rule of thumb is that if you amplifier has a bias pot that when you change the power tubes you should check the bias and adjust if necessary, and for safety's sake also after a month or so of breaking them in.
Two or more tubes arranged in a push-pull (one tube amplifies top half of the wave, the other tube does the bottom) is non-trivial, but it can be done (as it is in Fender Twins). The rule of thumb is that if you amplifier has a bias pot that when you change the power tubes you should check the bias and adjust if necessary, and for safety's sake also after a month or so of breaking them in.
I think fixed-bias is a pretty good idea, not too much hassle when changing tubes and all. I know mesa/boogie does this with some of their rectifier amps. But i suppose if you're good with electronics, or know how to set an amp bais then changing tubes wouldnt be any problem at all because you can avoid tech fees.
ok, i'm not a big marshall fan, and this ain't even about a guitar amp, but i'm gonna mention it here anyway, i tried out this all tube mofo at a shop when i was in brussels thursday for an isis gig;
over an ampeg 610.
<3 <3 <3
it was... fantastic, even with a mex. p bass, i want a toob head, but my back doesn't (the thing is huuuge and a bitch to lift i'm sure.)
so from now on; marshallvba400 (drool))
i'm not even sure wether that standard ampeg classic is number one on my list anymore.
over an ampeg 610.
<3 <3 <3
it was... fantastic, even with a mex. p bass, i want a toob head, but my back doesn't (the thing is huuuge and a bitch to lift i'm sure.)
so from now on; marshallvba400 (drool))
i'm not even sure wether that standard ampeg classic is number one on my list anymore.
i'm sure it's been said a million times but as you've noticed JCM800's are the standard rock band amp, along with ales paul being the standard guitar. I have a Marshall Bi Chorus 200. All i know about it is that it's old, at least 100w and can get really loud. Alot of the bands around here use whatever they can afford, so there's alot of Crate's and whatnot. My opinion crates are shit, the jacks always break which is anoyign and they have decent tone but nothing special.
- BobArsecake
- a mannequin made by madmen
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- FLICKOFLASH
- .
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Marshall InfoMike wrote:Great Marshall info here:
http://www.drtube.com/marshall.htm
I think you want this:
2205 JCM800 Split Channel Reverb, 50W head
It could be a marching band, but I think you misunderstood. Drummers speed up, remember the old joke:Justin wrote:Remember when the ads about the 65 watt combo Marshall said "with 65 watts you can keep up with the drummer!" I didn't know the drums moved wtf. I'm not dragging an amp behind me chasing after some dummy that can't stay in one place.
The Marshall combo allows you to speed up with the drummer, where ordinary amps would leave you fixed to the original tempo.Q. How do you know a drummer's at the door?
A. The knocking speeds up and he doesn't know when to come in!
On topic. Hello, 118? Can you tell me what's wrong with this Marshall Valvestate? The light comes on but there's no sound.