You've got to be joking.
GuardianGuitarist (1 month ago) Show Hide 0 Marked as spam Reply | Spam ProGuitarShop is better because the guy doesn't fuck around with the manuals, but he plays the same stupid penatonic patterns on every review instead of a famous riff that uses the pedal. For example, when he reviews chorus pedals, I expect him to play "Come as you Are", but instead he plays rockabilly shit. Both are horrible, in my opinion, my vote goes to mikelivesley.
ProGuitarShop demos
Moderated By: mods
Malekko seem to be more reasonably priced second hand. a lot of this boutique things go for like retail minus £10.heavium wrote:yes i was was thinking the exact same thing, it's a pity because in the zvex vid you really hear how insane it can go (it'sa bit of a difficult pedal) and in this one it's a bit tame-i-fied.
ok those delays are fucking pricey ..lame
completed ebay link
That is the birght 300 version (whatever the guy says about it being the dark one) so I imagine the 600 will go for a bit more, but £80 isn't so bad.
Shabba.
Dig that T-Rex, the chorus'd tail has tasty '80s-for-Strats all over it.
It was nice to hear from the site news that Pro Guitar Shop was going to try to get their own video player thing going so people could enjoy the demos with more clarity and less YooToob compression, so I'll applaud the efforts and hope things work out for them.
A few months back I had actually emailed them from my corporate account to ask whether they'd like to "have" a few of Moollon's newer pedals (Class A Boost, Custom Shop 3-plus, maybe even our new Delay or a few of the older models), even if they didn't want to review them or had no intention of considering becoming a Moollon dealer.
Strangely I got no reply, not even a "No, thank you". Curious...
It was nice to hear from the site news that Pro Guitar Shop was going to try to get their own video player thing going so people could enjoy the demos with more clarity and less YooToob compression, so I'll applaud the efforts and hope things work out for them.
A few months back I had actually emailed them from my corporate account to ask whether they'd like to "have" a few of Moollon's newer pedals (Class A Boost, Custom Shop 3-plus, maybe even our new Delay or a few of the older models), even if they didn't want to review them or had no intention of considering becoming a Moollon dealer.
Strangely I got no reply, not even a "No, thank you". Curious...
Hi, Yeah - I *thought I* posted a comment about a Devi Ever pedeal the other day, saying that I wasn't impressed with the pedal sound -- I had no idea that comments on utube could be deleted by the vid poster, but there ya go -- I lost a lot of respect for PGS after that -- nazis.Mike wrote:DICK MOVEr40f wrote:i tried to post a comment about it on their video and they wouldn't let it be published (they go through all their comments first).
Hi! I'm
Well you never know what to expect. I won't name names, but thanks to a very respected and good acquaintance I was able to approach members ...ahem... formerly associated with QOTSA and Teh Bizkit about trying a few of our pedals. The two guys each separately both asked for basically our entire line (which we gladly supplied), yet since they haven't responded to any of our emails, even the "hi, I hope all is well with you and the tour " mails. We honestly don't sit around in the shop grumbling in spite at the shop about it, but you just gotta wonder what's going on at times.Mike wrote:Twats.ultratwin wrote:Strangely I got no reply, not even a "No, thank you". Curious...
On the other hand, I've found that doods that have been in the industry long enough to be top cats are often the most level headed, coolest bunch in town. Dominic Miller, Lyle Workman, Steve Stevens, and Michael Thompson for example, respond like total gentlemen to every single letter of out of the blue "wassups" and "thanks, we really dig the demo tunes you sent..." we send, writing with such kindness and candor that bleeds professionalism, the latest just coming in (yesterday) after we sent Michael Thompson the new Class A Boost and ReVibe. Within literally hours of the package arriving at his place in L.A. (not to hype more than I usually do), he wrote back in a rather lengthy reply, "...The class A booster is my new favorite overdrive - really fat sounding. I A/Bed it with several other of my overdrives and for what I like in a booster/overdrive it definitely sounded best." There was no small word of "thank you" that followed along with a detailed description of where in the signal chain he likes to place the EQ pedal and stuff, and the letter oozed with sincerity.
Strangely, most people are usually either one or the other.
My salt boost gets used everytime I turn my amp on. I set whichever dirt pedals I'm using to be just on the soft side of the settings I would use, then run the boost 1 or 2 notches on the o'clock scale up from unity and it gets the 'damn that's good' response everytime.Mike wrote:...when someone tells me they like a pedal I built for them, or I see in on their board, it makes my day, no exaggeration.
I was doing that sort of thing a little, and then trying pedals out at doogfest I had that small epiphany moment that I think you witnessed. I was tweaking the OCD settings to test out it's range and was quite happy with what it could do, then I turned on Andy's salt boost and stopped for a moment to appeciate the awesome rock tones.
Shabba.