This group shows both the ones I haven't finished, and the process stages of some of the others. I have a sort of fetish about process because it allows us to see how something changed over time. Obviously, if I am not done with something, it may be unrecognizable by the time I finish. I have taken a break in order to move my operations out of the carpeted guest room and down to the guitar lab/painting studio, which has linoleum floors to catch acrylic paint spills. In order to do that, I had to finish up my last few guitar projects. The only thing left is to install a Duncan Antiquity four pole pup in the Mandocaster copy that Aug built.
Okay, I could have retaken the one with the guitar in it. I thought I could throw that in as bait. You can follow along with some of the progress, but a few make radical shifts midway. In some cases you lose great brush work in order to have a better final piece. The one called Kernel was so promising when I made the black outlines for it, but at a certain point I thought it was starting to get too representational and so I overhauled it. Follow your instincts but wear a rubber.
I made very little effort to cover over the framed area that was already painted. I got a few of these old framed works from yard sales and painted over factory prints (or whatever). Both of the two with the white frames has canvas strips glued onto wood. I was determined to paint the image on top, but ultimately caved in favor of the matting. They have the look of old barn relics in person. I can totally see the leap from my work on relic guitars back to this. For one thing I clipped through these and a few others (including massive rework) over the course of only a few months.
What you can't tell in these photos is that the blue Angel with the graffiti swirls is like 4x5 FEET!
SHIT IS HUGE. What I will point out in that one only is that there are a few spots I got right on the very first day, and they never changed. By the sixth major iteration I had totally removed the angel's face, when I noticed the better one on the lower left. Then I did some minor emphasis on it to cement it to the rest of the picture. It could be called done, but I would like to tone down the dark, cartoony lines around the swirls. I have given away several of these already, but there are a few that I will keep for myself, even if I have to hang them down in my studio.
