euan wrote:Oh, Tim E has made his site a bit more manageable.
<3 his designs.
Indeed, they are a very cool starting point. I've only tried two of them out but the vibrato one was nice enough for me to think "I can do something with this".
i was going to ask about volume drop... the boss ones are terrible for it. i bought one, used it for half an hour then took it straight back. rubbish. yours sounds rather good, i must say.
The Moollon Tremolo does a itsy bitsy micro boost as well, and live users have given us props for how useful that can be on stage. Just the same, we get a letter every now and then that asks us if it can be done away with altogether. I find it quite refreshing, really.
ultratwin wrote:Slick tones by Mike doing it again. NOICE.
The Moollon Tremolo does a itsy bitsy micro boost as well, and live users have given us props for how useful that can be on stage. Just the same, we get a letter every now and then that asks us if it can be done away with altogether. I find it quite refreshing, really.
Yeah, I'm in the same camp, there is nothing wrong with a little push to say "Hi, here I am", when the tremolo is on.
I built it with the chunky wide-range MOSFET boost input stage to ensure it never got sucked down and I really like it. I think trimpots for the volume for the small boxes and a volume control for the larger implementations will work well, people can even drop the depth and cop a solo boost if they want.
Sounds great dude. As a trem fan, I'd say putting some kind of waveform ratio trim in there would be a good call, it seems a little lopsided in the harder modes, making there more OFF than ON. Just a thought, yo.
I wouldn't have a clue, but it's defo possible- the EHX Pulsar amongst others have a dial for that, so you can have rising or falling sine wave in the triangle mode, or control the balance between "on" and "off" in square mode.
I've no idea how interchangable those kind of ideas are between designs, couldn't find a schematic for the Pulsar, alas.
