i have a pog and if the hog's tracking is similar, it's awesome. even manages to cope with the squeaky output from the behringer( ) pitchshifter in front of it...
agreed. Luckily I got it used (which was still expenisve).
benwalker wrote:did you get the whole package?
yes, which is the only way to justify the expensivness, I think. You get 6 different presets on the controller. If you progam / use them all (which I plan on) then the cost really makes sense. Only problem I find is that there are so many expression modes it'll be hard to choose just 6 presets!
scandoslav wrote:i heard these are wank when it comes to metal
the link rob posted wrote:The Coheed and Cambria influence is most relevant in "Weights for the Waiting," which has Raymond hitting high notes to the sound of heavy distortion rattling behind his vocals.
DNW
Sloan wrote:OH, by the way, i want to make the website http://www.ratemynutsack.com because I love my balls and want to see if other people do too.
the link rob posted wrote:The Coheed and Cambria influence is most relevant in "Weights for the Waiting," which has Raymond hitting high notes to the sound of heavy distortion rattling behind his vocals.
DNW
I like Coheed and Cambria. They cover The Maidenz.
scandoslav wrote:i heard these are wank when it comes to metal