euan wrote:Mike wrote:I cranked it in the shop.
Cracked it open, not cranked it. Had a look inside. You know I'm only interested in gut shots.
It's on the agenda. No point without decent Digital camera which missus has and is out.
Nah Hurb, they're going to coexist at the expense of the 4x12" I have going to live at my folks in their Garage. I shall be bringing the new baby to Doogfest III and you can all rock it.
Here's the skinny:
Low input - with the Jaguar even with the Preamp cranked it is clean as a whistle, it has one less gain stage in the path and actually has a lovely clean sound, full bodied and with plenty of tweakability. 3-4 on the Master would be rehearsal volume I think.
High input - much brighter than the low input (there may be a bright cap I can desolder), especially over the low range of the preamp knob, but up high things thicken out (hence why I think there is a bright cap) and you can get glorious classic Marshall crunchy tones with bags of grin-making bark, thump and power. 2 on the Master would be rehearsal volume I think. I was generally rolling the tone back on the Jaguar bridge pickup (I do this anyway, it's a Jaguar) and had the treble and presence on zero, pretty standard Vintage Marshall settings. The gain wide open sounds great and is really responsive to volume control. Also with the tone control on the guitar brought up a little it sounds great on the neck and both pickup settings - I've never had an amp or pedal which sounds great for rhythm crunch on a both or neck pickup setting, but thsi one does.
It's a rock machine basically, it's a one trick pony (trouser-flapping Crunch Power) with a nice clean sound to boot, but what a trick.