< < ICEYBOMB > > Squier Classic Vibe Duo-Sonic
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< < ICEYBOMB > > Squier Classic Vibe Duo-Sonic
My pal Bobby just got this, so I thought I would post some pictures for those wondering what they look like IN REAL LIFE. It is INDEED very awesome for the price. Amazin'. Even the toggle switch feels great.
- serfx
- ss.o bastard son
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needs some .11's on it with a wound 3rd
but yeah they are pretty awesome
i played one for about 45 minutes in a shop today while some dude was looking at some `54 avri strat
he ended up buying the duo i was playing cuz he couldn't get the tone he wanted out of the strat.
therefore duo sonic are obviously still better then strats
(the price is nice too!)
what did you think of the neck?
i was hoping for a bit more twang out of the stock pups.. but that is nothing a couple class of `55's won't be able to fix.
but yeah they are pretty awesome
i played one for about 45 minutes in a shop today while some dude was looking at some `54 avri strat
he ended up buying the duo i was playing cuz he couldn't get the tone he wanted out of the strat.
therefore duo sonic are obviously still better then strats
(the price is nice too!)
what did you think of the neck?
i was hoping for a bit more twang out of the stock pups.. but that is nothing a couple class of `55's won't be able to fix.
- serfx
- ss.o bastard son
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true story. its almost like its a silky neck..Sloan wrote:The neck is SUPER GLOSSY. I didn't really "play" it since I was just over doing computer work all day, but the whole thing feels like it should sell at least for $400-600. Way better than any mexican fender i've touched.serfx wrote: what did you think of the neck?
and for the price i'm surprised i don't have one sitting beside me.
I got one too quite recently and it's just great.
I changed the chrome bridge saddles for brass ones from my CV Tele, which has compensated saddles now.
Also I put on dome knobs i.s.o. the barrel shaped ones and gave it chrome tuners.
Nifty instrument this.
I changed the chrome bridge saddles for brass ones from my CV Tele, which has compensated saddles now.
Also I put on dome knobs i.s.o. the barrel shaped ones and gave it chrome tuners.
Nifty instrument this.
Last edited by GEISHA on Thu Feb 05, 2009 2:31 pm, edited 1 time in total.
- Fran
- The Curmudgeon
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Great pics.
I had 10 minutes with one in a shop a while back, you really cant fault it for the money and the chinese have obviously got their shit together now concerning production. My only criticism is the bridge pup placement.
I wish Squier did more of this kind of thing, like the Cyclone they did too.
I had 10 minutes with one in a shop a while back, you really cant fault it for the money and the chinese have obviously got their shit together now concerning production. My only criticism is the bridge pup placement.
I wish Squier did more of this kind of thing, like the Cyclone they did too.
- Jagermeister
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- robert(original)
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I did never underestimate Chinese people.Fran wrote:Great pics.
The chinese have obviously got their shit together
They are a huge force and amonst their millions and millions of people surely there must be at least a hundred with a clear mind about guitars.
Or is that only restricted to other parts of the world???
- Mike
- I like EL34s
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Bloody hell. He wasn't being close-minded or Racist. It is a fact that the early Chinese made Squiers were pretty low-quality in comparison to the Japanese and Korean equivalents.
Believe me - a more open-minded group of people you will not find than the membership of this community. I love and play two MIM Fenders other people sniff their nose up at (wrongly) because of the country of Origin.
Believe me - a more open-minded group of people you will not find than the membership of this community. I love and play two MIM Fenders other people sniff their nose up at (wrongly) because of the country of Origin.
I guess you are referring to my reply on quote. Words like Racist or close mindness are yours not mine.Mike wrote:Bloody hell. He wasn't being close-minded or Racist. It is a fact that the early Chinese made Squiers were pretty low-quality in comparison to the Japanese and Korean equivalents.
Believe me - a more open-minded group of people you will not find than the membership of this community. I love and play two MIM Fenders other people sniff their nose up at (wrongly) because of the country of Origin.
I was not saying this to start a flame war, only to assure you that Far East people have the ability to make excellent guitars.
What you say about your MIM Fenders is something I never understood.
Maybe someone can tell me the difference between Fenders made in Mexico by Mexican/Latin people or Fenders made in California by Mexican/Latin workers.
Or is it only the price of labour.
Most of the time the quality differs because of the amount of £ the company spends on making them, the country isn't important.GEISHA wrote: Maybe someone can tell me the difference between Fenders made in Mexico by Mexican/Latin people or Fenders made in California by Mexican/Latin workers.
Or is it only the price of labour.
- Mike
- I like EL34s
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That's my whole point. The distinction between them is derived from prejudice. All the 50s and 60s Fenders that people covert were build in a Factory by Mexican labour < 200 miles from the current Mexican Factory. From my perspective as a guitarist, I make my own mind up based upon guitars I have played, as does Fran. He has played many Fender and Squier guitars of all origins and knows what he is talking about when he says that the quality of these new Chinese Fenders/Squiers is a vast improvement on the original output.GEISHA wrote:Maybe someone can tell me the difference between Fenders made in Mexico by Mexican/Latin people or Fenders made in California by Mexican/Latin workers.
Or is it only the price of labour.