pedal arrived today, thanks mike. so far, i'm liking it. very warm sounding, almost chorus like on short settings. it's a short delay, though have found out you can lengthen it a little using the internal trim pot.
i've had a play around with the internal trim pot. i've not touched the two orange ones at the top, have no idea what they do. the black one to the left of the rate control adjusts the delay time. you can get to around 400ms with this at max, but it becomes more lo-fi, kinda like a low quality MP3.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
Mike wrote:Yeah don't touch the orange ones, those are setting up the Analogue Delay chips and need to be set with a 'scope.
Mike, how come these trimmers need to be set up using an oscilloscope rather than "by ear" (I guess in the same way those on a DMM does)? What's the difference?
Because you're dealing with acute setup of the delay chips, the clocking into them, noise suppression etc. It's something you can half-arse if you go about it in a set way but it's really not a good idea. The best thing to do is to use a 'scope and inject a sine wave into it and calibrate from there. This is pretty much standard for all analogue delays.
as Howard Davis, designer of the EHX DMM explains:
Guitar effects pedals containing analog delay chips, and a few other types of components, have internal trimpots for adjustment by a technician. For proper operation these must be correctly set, and this is done at the factory. In time - especially with the rough handling that guitar pedals are often subject to - these trimpots can become misadjusted, resulting in distortion, improper operation, or no operation at all.
It is virtually impossible to correctly adjust all the trimpots - called "doing an alignment" - without using lab equipment and the proper procedure. An audio oscillator, oscilloscope, the schematic, PC board diagram, and the test and alignment procedure for that particular pedal are required, as well as technical training and experience. Attempting an alignment without these essentials usually just makes the problem worse - and sometimes more costly to fix!
The most common symptom indicating the need for an alignment is overdrive distortion occurring at too low a signal level. This can also result from weak batteries or an abnormally low power supply voltage, so make sure to check this before sending your pedal for repair.
Progrockabuse wrote:i'm leaving the orange one's well alone. i've set the internal back to stock, as it's very rare i'd need longer. if i did, i'd just whack out the dd-3
I've been using my DD-3 alongside the PB&J (FUCKING.LOVE.THIS. THING) sounds awesome and i guess kinda analogue like. Wonder how the Vintage delay and dd-3 sound used together.
theshadowofseattle wrote:less being WOKE
more being STOKED
Progrockabuse wrote:i'm leaving the orange one's well alone. i've set the internal back to stock, as it's very rare i'd need longer. if i did, i'd just whack out the dd-3
I've been using my DD-3 alongside the PB&J (FUCKING.LOVE.THIS. THING) sounds awesome and i guess kinda analogue like. Wonder how the Vintage delay and dd-3 sound used together.
glad it got there ok. what you liking so far?
might dig out the dd-3 and whack it on the board for a play around
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
Progrockabuse wrote:i'm leaving the orange one's well alone. i've set the internal back to stock, as it's very rare i'd need longer. if i did, i'd just whack out the dd-3
I've been using my DD-3 alongside the PB&J (FUCKING.LOVE.THIS. THING) sounds awesome and i guess kinda analogue like. Wonder how the Vintage delay and dd-3 sound used together.
glad it got there ok. what you liking so far?
might dig out the dd-3 and whack it on the board for a play around
The delay side with the green led is my favourite, not sure if thats the long/short one though. These are discontinued right?
theshadowofseattle wrote:less being WOKE
more being STOKED
Noirie. wrote:
I've been using my DD-3 alongside the PB&J (FUCKING.LOVE.THIS. THING) sounds awesome and i guess kinda analogue like. Wonder how the Vintage delay and dd-3 sound used together.
glad it got there ok. what you liking so far?
might dig out the dd-3 and whack it on the board for a play around
The delay side with the green led is my favourite, not sure if thats the long/short one though. These are discontinued right?
yes, they've not been around for some time now. don't know why, it's a pretty good delay. green is the longer delay and it set to this by default. it's weird as i knew someone that had one and his was set to short by default.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo