Nah, no special tricks or anything- if you're recording onto a PC you can tweak the fuck out of it anyways to save any iffy sounds.Freddy V-C wrote: I just thought you might know a better way of doing it.
Doog Album Video Blog Thing
Moderated By: mods
toms nice and loud--rock! Good stuff man. Have you heard of the Glyn Johns 3-mic setup? Should be ableo find something via Google search; but it's basically a mic in the kick, mic over the snare (several feet above it, pointing down) and then a mic horizontal over the floor tome/ride cymbal pointing (capsule wise) back towards the snare. The distance from the snare mic to the snare should be roughly equal to the distance between the tom mic and snare mic. Anyway, I've never tried it but it's supposed to get a pretty good capture. I think you also pan the snare and tom mics hard left/hard right. I'm somthing of a close-micing drum junky and just always go to that; but I'd like to try a minimalist setup sometime.
Yup! Check out the Covered In Bites demo:Reece wrote:okay, it's been in the background for a while.
ARE WE GOING HEAR THE CHORD ORGAN? it's so orange, i need to hear this thing.
http://www.reverbnation.com/doogdoogdoog
Cheers guys, they're pretty fun to do- gives me a bit more focus when recording!
Try the above link dude, may be more Flashless friendly.Noirie. wrote:also still sorting out flash so i can listen to your myspace tracks.
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Progrockabuse
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the lead tone was amazing. was it just strat>nobels od>marshall DSL?
what strat is that too, well nice.
what strat is that too, well nice.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Strat and DSL50 aye, but twas the aforementioned TWAT pedal set to "hot" mode.
The Strat is a mongel of parts- Jagmaster neck, 90's MIK Squier body, Mightymite loaded scratchplate (Al Nico pups I think). Definitely feels and sounds better than the sum of its parts to me, even if it's a little ragged around the edges.
The Strat is a mongel of parts- Jagmaster neck, 90's MIK Squier body, Mightymite loaded scratchplate (Al Nico pups I think). Definitely feels and sounds better than the sum of its parts to me, even if it's a little ragged around the edges.
Last edited by Doog on Tue Jul 07, 2009 11:18 pm, edited 1 time in total.
Gah, I'm a bit behind on this. Youtube emailed me to say that there was something new up, but then didn't let on when I logged in the site.
On the drums video are we hearing the drumtrack through your speakers and then through the mic on the camera? There sounds to me as though there is a change in the eq'ing at about 5'08", and I was wondering if was something you'd automated and not mentioned, something to do with the camera moving, or something that I imagined entirely.
On the drums video are we hearing the drumtrack through your speakers and then through the mic on the camera? There sounds to me as though there is a change in the eq'ing at about 5'08", and I was wondering if was something you'd automated and not mentioned, something to do with the camera moving, or something that I imagined entirely.
Cheers guys, it's really nice to have people interested in this 
It's just the proximity effect, nowt else! Also maybe some kind of phasing thing brought by stereo speakers being picked up the mono microphone.BacchusPaul wrote:
On the drums video are we hearing the drumtrack through your speakers and then through the mic on the camera? There sounds to me as though there is a change in the eq'ing at about 5'08", and I was wondering if was something you'd automated and not mentioned, something to do with the camera moving, or something that I imagined entirely.