Gibson are no longer in the business of designing new and exciting guitars. They are a nostalgia company that will occasionally reissue older models with ever-inflating prices for collectors. Why on earth anybody thinks they should reissue guitars that regular players actually want is beyond me. It is no longer within their remit to do this.
Here is a picture of an Gibson R2(Custom Shop 1952 Les Paul Reissue).Do they still make these?Looks like the new Tribute Model has a slightly different tailpiece.
Mike wrote:The bridge on this model was a mess in 1952 and it will be a mess now. Oh dear.
A swing and a miss.
yea, they're crap. but IIRC, that was one of the main things that les paul designed on the guitar so it's understandable for a tribute model (sort of. another guitar entirely would have been better IMO).
Mike wrote:The bridge on this model was a mess in 1952 and it will be a mess now. Oh dear.
A swing and a miss.
yea, they're crap. but IIRC, that was one of the main things that les paul designed on the guitar so it's understandable for a tribute model (sort of. another guitar entirely would have been better IMO).
If they did some subtle sculpting to the top, sort of like built-in compensation, and then made the whole thing adjustable for tilt it could intonate well. Of course they don't do that, so it's a moot point.
When I hear the old Les Paul/Mary Ford stuff he sounds in tune, so it must be possible to make that bridge work.
So much great music was recorded with the goldtop from that year that at the very least it's a capable design.
paul_ wrote:When are homeland security gonna get on this "2-piece King Size Snickers" horseshit that showed up a couple years ago? I've started dropping one of them on the floor of my car every time.
All three of my Danos have slab bridges, and they all intonate pretty well. It is variable, though. The '57 is almost perfect except for the G being a bit flat. The 1448 is good for all but the low E. The '98 is the worst.
I think it mostly comes down to the quality and precision of the fretwork and using a balanced set of strings.
But let's be honest, these will all be bought by lawyers and dentists who want an investment or something to look pretty on the wall of the "music room".
Will wrote:But let's be honest, these will all be bought by lawyers and dentists who want an investment or something to look pretty on the wall of the "music room".