The conclusion is that I love reverb
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- the isaac eaton
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The reverb on my cyber twin is always on 100% of the time, Its set on 2, sometimes ill turn it way up if the song calls for it, but it just stays on 2 the whole time. Without reverb everything just sounds so lifeless, reverb just adds another dimension to my tone.
Mike wrote:Welcome to like 2005, you bleeding idiot.
For some reason, on the older fender amps, the reverb pots were linear taper. That means that the reverb seems to jump up from 1 to about 4 and then not get much more dense from 4 up. I replaced the linear taper pot with an audio taper pot on my amp. Now, there's still the same amount of reverb on the amp, but the range of the knob sounds more even to the human ear.Progrockabuse wrote:do you find your reverb control is difficult to dial it just a tiny bit of reverb?
my tweed tends to go from 0 to around 2/3 (sound wise). so 1 would sound the same as 2 is
does that make sense?
Ben
- Progrockabuse
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i'm dangerous with hot metal melting devices and wire. i'd end up soldering my watch to the transformer or something lol
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
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Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
- Progrockabuse
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it's mainly why my 12 string is still in bits. i did't really unsolder it's pickup very well. The pickup is fucked from me supergluing a p90 on the top and then realised
that it looked shit. it pull the p90 cover and the metal pickup base off too. it may still work, just be microphonic. i don't know.
that it looked shit. it pull the p90 cover and the metal pickup base off too. it may still work, just be microphonic. i don't know.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
- Progrockabuse
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daisy rock electric 12 string. had a set of duncan mini humbuckers in it. i was gonna fit the mini HB's to the goldtop and the p90's in the 12 strings. fuckers didn't fit in either.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
- Progrockabuse
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- Posts: 4865
- Joined: Mon Jan 14, 2008 11:54 am
- Location: Derbyshire
i did. i bodge fitted the humbucker, didn't like it. fitted the original pickup back in and left it well alone.
Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Okay, not all of his output is great, but regardless of your feelings towards alt/country/rock, Love is Hell is a masterpiece. I doubt it's heavy enough for your tastes, aen, but I think a lot of people here would love it if they gave it a chance.aen wrote:Thems fightin words.Aeon wrote: listen to Ryan Adams
Yeah makes sense, and yes I think that's the same on my amp - I'll have to check though.Progrockabuse wrote:do you find your reverb control is difficult to dial it just a tiny bit of reverb?
my tweed tends to go from 0 to around 2/3 (sound wise). so 1 would sound the same as 2 is
does that make sense?
To be honest I usually don't go lower than 2 or 3 so might be wrong!
excellent spring reverb here
and all the other options as well.
I think reverb works best if you can put it in an effects loop (i guess that's obvious?).
and all the other options as well.
I think reverb works best if you can put it in an effects loop (i guess that's obvious?).
ryan adams is brilliant. Heartbreaker is fucking amazing. a lot of his more "rock" stuff is a bit lack luster.Aeon wrote:Okay, not all of his output is great, but regardless of your feelings towards alt/country/rock, Love is Hell is a masterpiece. I doubt it's heavy enough for your tastes, aen, but I think a lot of people here would love it if they gave it a chance.aen wrote:Thems fightin words.Aeon wrote: listen to Ryan Adams
cogito ergo sum...thing or other...