riotshield wrote:as many have stated the SMMH has the following issue.
if you record a loop and then switch to delay mode, the blend knob controls level of loop which means that if you want a low volume delay setting the loop will be almost lost.
i was wondering if we could make a tiny loop switch thing that will take the signal before the hazarai, will have send-return for the hazarai and will output a mix of blended wet-dry signals controlled by a knob?
that sounds doable hmm?
i expect mike to throw some science
can someone lay out the benefits or merits of using a low-volume delay. i usually just keep the blend knob at 12 anyway.
Eh? There are plenty of occasions where you would want a more washy or ambient quality delay sound. It doesn't always need to be as loud as your dry signal.
i didn't know a low-volume delay engendered washy & ambient delays. now i have to figure out why i would ever want to have a low-volume delay whilst the loop is engaged. i will probably figure this out when i get an EHX Cathedral.
should you need an adaptor for your hazarai drop me a line as i got mine from UK and i have its adaptor but its not really convenient to use it because of its britishness
Very kind of you, sir! It appears that I'm fine for the minute, but thank you.
This thing is crazy fun- the 30 second looper alone has given me 30 minutes of sheer layering fun, especially once I figured out the repeats knob has to be all the way up to do proper SOS stuff.
I find them pretty damn good, must say. The reverse setting is really good and the loop can be tricky, but once you're used to it, it's pretty damn sweet as well.
Mike wrote:So you want to split the signal before the Hazarai and then recombine it with the buffered dry signal afterwards, and be able to control the blend of each?
That's doable. For ultimate flexibility I would build the blend stages as linear amplifiers so you can recover from volume loss if necessary.
Mike wrote:So you want to split the signal before the Hazarai and then recombine it with the buffered dry signal afterwards, and be able to control the blend of each?
That's doable. For ultimate flexibility I would build the blend stages as linear amplifiers so you can recover from volume loss if necessary.
