That has been my issue with any Dimarzio pickups I have ever played, they seem to be shrill and sterile. No real character.Reece wrote:thinking about it.Noirie. wrote:What you changed the neck pickup in your Jaguar?Reece wrote:i've had a super distortion and a YJM (which is apparently now called a HS-4).
both decent enough although i felt like they were lacking a little bit.
it lacks bass, which was never much of an issue through the TT. now with the bugera i can tell a little more.
Dimarzio Pickups
Moderated By: mods
- dumb donnie
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Oh come on. Plastic bobbins, various windings of wire and wax potting. Some magnets. All pup manufacturers share these factors pretty much. Dimarzio are as varied as any other mass produced pups - certainly there is not one single dimarzio 'tone'. A super Distortion is not an HS3 or vice versa. Some vast generalisations going here that smacks of a bias at the moment.
iCEByTes wrote:5 Most Jizz face maker Solo�s , classic Rock music i ever listened.
iCEByTes wrote:Blunt a joint , Take the Touch , Listen this.
- dumb donnie
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no, i didnt take offense! not at all..dumb donnie wrote:Ok, it sounds a little like you have taken offense to a completely reasonable question. Fair enough.weeping_moon wrote:well.. i like the design of the pickups, the sound, and all my favorite guitarist uses them.. thats why..dumb donnie wrote:Just curious, why is it Dimarzio only?
why do you use the things you use?
I only asked the question in order to determine exactly why you were limiting yourself to a single pickup maker when there are hundreds to choose from. I assumed you had a reason and was curious to know what it was. Maybe it is because you are only able to find Dimarzio pickups locally, I don't know, that's why I asked.
I use the things that I use because I have carefully researched all of the available options and decided what will best serve my purpose. That is why I use the things that I use.
i just tryed to answer your question at a good way.. so dont worry about that.
the second thing.. i could get any pickup i want. just have to order it in the guitar shop or via the net. but i want dimarzio, and thats it.. its my choice what i want to play with. as simple as that!
maybe its just me who likes dimarzio here then..
then i have to find the pickups for myself. thank you!
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and how can you be so sure if havent played them?dumb donnie wrote:Yeah, it's true, I'm biased against Dimarzios. I obviously haven't played them all, it just seems like that there are so many pickup winders these days that there is someone out there winding something better than a Dimarzio. I guess I'll head out of this thread now.
why do you start writing in this thread if you dont have any recommendations about the pickups?
i was asking for humbucker in single coil size (dimarzio) recommendations?
nothing else!
Well why didn't ya say that's what ya meant?! You have a valid point I agree with you 100% DD. I got excellent hand scatter-would pickups made by catswhisker pickups for £50 each - cheaper than Dimarzio or Seymour Duncan. They are fantastic. Based on this I don't see a whole lot of point in plumping for expensive mass produced brands really.dumb donnie wrote:it just seems like that there are so many pickup winders these days that there is someone out there winding something better than a Dimarzio. I guess I'll head out of this thread now.
Weeping moon - maybe you have some fellow countrymen who handwind pickups? Might be worth looking into, get some hand wound home grown mojo and support the local economy etc
iCEByTes wrote:5 Most Jizz face maker Solo�s , classic Rock music i ever listened.
iCEByTes wrote:Blunt a joint , Take the Touch , Listen this.
i didn't say that.dumb donnie wrote:That has been my issue with any Dimarzio pickups I have ever played, they seem to be shrill and sterile. No real character.
it's a decent enough pickup and it's served me well for over a year at this point., it's just geared more towards soloing and such. bit too hot for my tastes.
I missed a Bugera purchase? do tell.Reece wrote:thinking about it.Noirie. wrote:What you changed the neck pickup in your Jaguar?Reece wrote:i've had a super distortion and a YJM (which is apparently now called a HS-4).
both decent enough although i felt like they were lacking a little bit.
it lacks bass, which was never much of an issue through the TT. now with the bugera i can tell a little more.
- Dogma Hollow
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I'm a DiMarzio fan, at least as compared to Seymour Duncan, who seems to be their main competitor.
I have a '96 Charvel San Dimas III with mahogany body/maple top in this setup:
B - Tone Zone (full hum)
M - Fast Track (single-space hum)
N - Chopper (single-space hum)
This is a good shredder setup (so why the hell do I have it?). I don't typically use B-M or M position, but with M-N it sounds very warm, but still clear and plenty of output so there's not a huge dropoff from the B pickup. N position is a really good rhythm tone, or if you're playing lead where you want warmth. As with most hums, they don't have the single-note clarity of single coils and they're not as sensitive to string dynamics.
I also have a Jackson Dinky XL with basswood (I think) in this setup:
B - Air Norton (full hum)
M - Hot Rails (Seymour Duncan single-space hum, don't ask why I mixed DiMarzio and SD's...I was young)
N - Fast Track II (single-space hum)
I haven't played the Jackson in a few years, but as I recall the Fast Track II wasn't noticeably different from the Chopper in the N position tone-wise. I think it had a lower output though, maybe a tad more clarity.
The setup I have on my Charvel is the better of the two for rock/metal/shred, IMO. It has a ton of punch, and gets some pretty in-your-face tones. Compared to my Gretsch with mini-hums in it, the Charvel is noticeably hotter. Probably not the pups to use if you're going for strictly clean stuff. They're OK for that, but not quite as articulate in the highs as I'd like for cleans.
I have a '96 Charvel San Dimas III with mahogany body/maple top in this setup:
B - Tone Zone (full hum)
M - Fast Track (single-space hum)
N - Chopper (single-space hum)
This is a good shredder setup (so why the hell do I have it?). I don't typically use B-M or M position, but with M-N it sounds very warm, but still clear and plenty of output so there's not a huge dropoff from the B pickup. N position is a really good rhythm tone, or if you're playing lead where you want warmth. As with most hums, they don't have the single-note clarity of single coils and they're not as sensitive to string dynamics.
I also have a Jackson Dinky XL with basswood (I think) in this setup:
B - Air Norton (full hum)
M - Hot Rails (Seymour Duncan single-space hum, don't ask why I mixed DiMarzio and SD's...I was young)
N - Fast Track II (single-space hum)
I haven't played the Jackson in a few years, but as I recall the Fast Track II wasn't noticeably different from the Chopper in the N position tone-wise. I think it had a lower output though, maybe a tad more clarity.
The setup I have on my Charvel is the better of the two for rock/metal/shred, IMO. It has a ton of punch, and gets some pretty in-your-face tones. Compared to my Gretsch with mini-hums in it, the Charvel is noticeably hotter. Probably not the pups to use if you're going for strictly clean stuff. They're OK for that, but not quite as articulate in the highs as I'd like for cleans.
- analogsystem
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- MISSINGNO.
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- serfx
- ss.o bastard son
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those should sound sweet
i'm a fan of the DiMarzio Class of '55 and obviously the twang king..
tawang king in my tele
class of 55 in the neck on my `74 mustang
super distortions in my les paul
and i'm probably going to put super distortions in my jag hh
and i've been thinking of picking up the new Area `58s to drop into a project guitar.
(essentially i think that i contain 90% of the DiMarzio love for ss.o)
i'm a fan of the DiMarzio Class of '55 and obviously the twang king..
tawang king in my tele
class of 55 in the neck on my `74 mustang
super distortions in my les paul
and i'm probably going to put super distortions in my jag hh
and i've been thinking of picking up the new Area `58s to drop into a project guitar.
(essentially i think that i contain 90% of the DiMarzio love for ss.o)