i disagree. if i ever ended up playing bass in a band i'd be looking out for one. they lend themselves to aggressive playing, you just have to show it who's boss.mongoose69 wrote:These things died out for a good reason! Back in high school (ah, the late 80's...) I knew a guy with a grabber. Stupid heavy, mud tone, baseball bat neck. Pretty much no redeeming qualities. Sounds like just the sort of thing Gibson would reissue these days, dunnit?
gibson grabber ,
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- stewart
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+1stewart wrote:i disagree. if i ever ended up playing bass in a band i'd be looking out for one. they lend themselves to aggressive playing, you just have to show it who's boss.
Personally, out of the Grabber/Ripper family, I'd go for the Ripper. I like to beat the crap out of my instruments.
Wild spirit of the Eagle, Black hawk, bird of prey design
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				BacchusJim
 
This thing would be my ideal bass for that reason. The neck isn't any more baseball batty that a p-bass either; in fact the scale at the nut looks about the same. Plus they sound brilliant when you kick the shit out of them.stewart wrote: ... they lend themselves to aggressive playing, you just have to show it who's boss.
Simmons may just have put me off it though...
- westtexasred
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My two cents. Gibson basses play the best but sound pretty crap. Way too muddy. The exception being the Thunderbird.
I have an EB3 and acoustically it sounds great, and plays like a dream but as soon as I put it into an amp I'm let down... and that's been my experience with most Gibson basses.
I am thinking of sending my EB3's pick ups off to Novak to see if he brighten them up and take the woof out of them.
			
			
									
									
						I have an EB3 and acoustically it sounds great, and plays like a dream but as soon as I put it into an amp I'm let down... and that's been my experience with most Gibson basses.
I am thinking of sending my EB3's pick ups off to Novak to see if he brighten them up and take the woof out of them.
				  



