Dave wrote:Hi All, This is Steve Albini of Big Black and Shellac fame!!!!!!!!111!!!!! I'm using Dave's Shortscale account because I was so excited to see this thread I didn't have time to set up one of my own. I'll gladly accept any pedals you swell chaps build so please mail them directly to Daves address and he'll bring them over at our next poker and virgin roasting party.
Thanks
Steve "Sphinctre Mouth" Albini
This is all true, because im Steve Albini useing Iron's account just to confirm it for you guys!!!
Dave wrote:Hi All, This is Steve Albini of Big Black and Shellac fame!!!!!!!!111!!!!! I'm using Dave's Shortscale account because I was so excited to see this thread I didn't have time to set up one of my own. I'll gladly accept any pedals you swell chaps build so please mail them directly to Daves address and he'll bring them over at our next poker and virgin roasting party.
hotrodperlmutter wrote:ha, ok. i get it. i thought the guy was perplexed that other people use the HP. i didn't realize it was his.
yes. its albinis studio right? thus i made the assumption it was his HP... and given the history and attachment to albini i am surprised he lets it out as part of the studio.
Decent single coil + bassman pushed hard = albini shellac tones. The HP is really just dressing on the salad. He didn't even have a HP for
Big black. If Fredo, light rail coyote or hurb ever co
E around they can tell you I got the archetypical shellac sound from a vintage jag and a bassman 10.
Not to endlessly readdress a particularly hoary old topic, but I really reckon it's a marriage of all the odd things about his setup; an aluminium guitar, usage of metal picks, both a Bassman and a solidstate preamp-poweramp setup running into PA speaker cabs featuring HF horns, plus a feed from the latter to the PA for extra fizzy clankiness.
I think if you added any OD pedal to that, it'd sound pretty clanky.
aen wrote:Decent single coil + bassman pushed hard = albini shellac tones. The HP is really just dressing on the salad. He didn't even have a HP for
Big black. If Fredo, light rail coyote or hurb ever co
E around they can tell you I got the archetypical shellac sound from a vintage jag and a bassman 10.
I personally think the old aluminum neck Travis Bean he uses does something I really enjoy to the sound. Not that I think you guys would be into them, but The White Octave/Criteria used/use Travis Beans and there is a certain metallic tone about them I really enjoy.
I also recently saw sleep-metal band Isis at Bonnaroo and the whole band was using Travis Beans.
aen wrote:Decent single coil + bassman pushed hard = albini shellac tones. The HP is really just dressing on the salad. He didn't even have a HP for
Big black. If Fredo, light rail coyote or hurb ever co
E around they can tell you I got the archetypical shellac sound from a vintage jag and a bassman 10.
I personally think the old aluminum neck Travis Bean he uses does something I really enjoy to the sound. Not that I think you guys would be into them, but The White Octave/Criteria used/use Travis Beans and there is a certain metallic tone about them I really enjoy.
I also recently saw sleep-metal band Isis at Bonnaroo and the whole band was using Travis Beans.
Isis uses EGCs not TBs. Albini has an EGC now as well... as does King Buzzo, Duane Dennison, and seeeeeeveral others.
Albini has really had that same sound since Big Black and he didn't use aluminum neck guitars back then. He had a double cut tele in those days. I think all you really get out of an aluminum neck is retarded awesome sustain and maybe a bit brighter attack.
dots wrote:society is crumbling because of asshoels like ends
brainfur wrote:I'm having difficulty reconciling my desire to smash the state & kill all white people with my desire for a new telecaster