1967 Fender Coronado II
Moderated By: mods
I love the pickguard. It looks good with and without but it's back on there for now.
If the sun ever decides to make an appearance I'll take it off for some photos because the green underneath looks cool and maybe leave it off for a while, but my guess is it will stay on the guitar most of the time.
I'm hoping today I can do the bridge setup stuff and make a decision about trying to get hold of Mustang saddles or not. I'm quite tempted by the warmoth bridge with each saddle adjustable, but considering I want just the saddles and will have the base plate and cups spare the $55 is a bit steep. Hopefully the stock ones aren't too bad.
If the sun ever decides to make an appearance I'll take it off for some photos because the green underneath looks cool and maybe leave it off for a while, but my guess is it will stay on the guitar most of the time.
I'm hoping today I can do the bridge setup stuff and make a decision about trying to get hold of Mustang saddles or not. I'm quite tempted by the warmoth bridge with each saddle adjustable, but considering I want just the saddles and will have the base plate and cups spare the $55 is a bit steep. Hopefully the stock ones aren't too bad.
Shabba.
Ehhh, not the best trem I've ever used. Probably because the bridge slips about. But the "One chunk of bent metal instead of a spring" is a good idea. I have a hollow body bigsby i might try just for shits.stewart wrote:I think the bigsby on mine balances it out quite nicely, the triangular trem on yours looks cool though and is probably a bit more functional generally (at a guess!)aen wrote:Mine is, and there's more metal on it's ass. HOWEVER, its not a huge problem, it tends to stay put as I use my left hand to fret notes and can easily support the weight of the neck.stewart wrote:also- how's the balance with the small tailpiece? is it neck heavy?
Yeah dude, fine ass deal. Mine was $1074 with tax, for dopey ass sunburst, and TOM bridge. LPB is certainly worth another hundo.James wrote:I'm pretty sure I got a great deal on it - $1150/£780, for LPB that seems a steal.crofty wrote:gorgeous. mind if i ask how much you paid?
It was in dire need of a setup but it seems like all is well.
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- stewart
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ah, i was thinking because it had a big long jag/jazz arm it'd be easier to use.aen wrote:Ehhh, not the best trem I've ever used. Probably because the bridge slips about. But the "One chunk of bent metal instead of a spring" is a good idea. I have a hollow body bigsby i might try just for shits.stewart wrote:I think the bigsby on mine balances it out quite nicely, the triangular trem on yours looks cool though and is probably a bit more functional generally (at a guess!)aen wrote: Mine is, and there's more metal on it's ass. HOWEVER, its not a huge problem, it tends to stay put as I use my left hand to fret notes and can easily support the weight of the neck.
It's a mojo chamber. It amplifies mojo right at the most mojocritical point on a guitar, the neck/body join. It helps the blues travel from the fingers into the spaces between the fibres in the wood underneath the paint near the pickups, just where they're needed. Mojo arrows are as much as 15% more resonantly vibrant with respect to vibrous resonance as a result.
- robert(original)
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with the malibu's newporters, villagers etc of the time they had those same holes but they also exisited in the neck and there was one peice of metal that went into each, all i can figure is it was another way to keep the neck aligned over the years seeing as how the bolt on screws were about 5 inches long or something stupid.
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