$399 is a good price. Bottom picture looks way too yellow though, not really blonde at all. Does ash make much of a difference? Flipping a control plate is easier enough.
I couldn't get on with the knobs being right in ''getting hit by hand" zone.
Doog wrote:"And every day after high school, the young Kurt would sit down with his soldering iron and oscilloscope, to work on what come to be known as the Boss DS-1, the world's first guitar distortion pedal."
I don't understand the flipped plate mod either. The knobs are bigger than tele switches and would thus be more likely to get hit. I've never had a problem hitting the switch on my tele.
Also, to go against popular shortscale thought, I'm not a fan of 3 saddle tele bridges. I played the Squier CV at GC and while it felt and sounded great, intonation was a problem with the 3 saddle bridge despite what people may say. Individual string intonation is a must.
The flipped plate mod is to bring the volume pot nearer to your little finger (you switch the position of the volume and tone, too) to enable you to do volume swells you fucking n00000000000000000bs.
Some people leave the pots where they are, and do wah-like tone swells, but fake pedal steel licks are far more fun. As to bashing the switch/knobs: it's a fucking tele: a tank, a "bren gun" - apart from maybe hurting your flailing hands, it won't do any other harm; the switch operates from left to right, so you'd need to be flailing like a grounded fish to jog that out of position, and I'd be amazed if your rogue limbs could inadvertantly turn the knobs.
Shortscale's tele players need to man the fuck up, it would appear.
I used to have my tele set up like that. It made playing Allman Brothers licks like "In Memory of Elizabeth Reed" doable. Swells are badass and the knobs work better that way. However, I couldn't do with any knobs after a while so it's just set up with a toggle now.