Hurb wrote:I don't understand how a thicker neck would stop the floppiness?
I could'nt fully understand the reason behind this either but i put a thread up about down tuning elsewhere and someone came up with the theory: The less string tension the more stable the neck needs to be because the actual string tension contributes to the stability. In feel at least. Which makes sense.
This sounds right to me.
And yeah, I dunno about Dano baritones. They're not like the majority of baritones out there with just a slightly longer scale length, like the 27" Jaguar Baritone Special that came out a few years ago. They're proper 30" six string basses. You can string them up in A or B but it's not really a proper guitar at that point as far as I'm concerned. You're halfway between bass and guitar, whereas you want to be properly in the guitar camp, just tuned down to bowel-threatening levels and it's not really the same sort of thing.
I was because i wanted to use at least one of my Fenders. But i cant be arsed with messing around swapping necks and shit and also remembered my NJ Mock neck is chunky, 25.5 scale.
Looks like living with neck dive for now...
johnnyseven wrote:My B&B Jazzmaster has a pretty thick neck, a lot thicker than by regular JM - not sure how this compares on the overall neck thickness scale though.
my 71 B&B JM has the chunkiest neck I've played, a lot deeper and wider, the feel is different to a lot of gibson style necks due to the radius difference.
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers