Lost in the mix.
Moderated By: mods
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Lost in the mix.
My Coopersonic Valveslapper sounds awesome however it has the habit of getting lost in the mix. Not as bad as a big muff, but pedals I have in my chain that have more mid content sound louder even though they aren't. Would a possible solution be to have an pedal in the chain with a mid hump? Would this enable the Valveslapper to be heard above the bass and drums?
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Have the bass EQd differently. Things that sound amazing on their own won't exactly sound the same in a mix.
You have a huge frequency range and each instrument has to fill its own place in the band (frequency band) without stepping into other instruments range too much. Try flipping the bright switch on/off etc. Its a fairly subtle change for clean guitar but can do a lot when an overdriven signal hits it
You have a huge frequency range and each instrument has to fill its own place in the band (frequency band) without stepping into other instruments range too much. Try flipping the bright switch on/off etc. Its a fairly subtle change for clean guitar but can do a lot when an overdriven signal hits it
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- Fran
- The Curmudgeon
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There's something to be said for standard pedals mate, plenty still use them. I found in one band nothing can match the combination of a TS7 and Sovtek Big Muff. Tried bucketloads of stuff as well.
On the subject of Coopersonic, John has had nothing but problems with his rig since he started using the Dirt Box. The volume on them things is ridiculous, at the side of a Boss if you go past 4 it will drown the Boss (on 10) out. His Marshall Cab keeps cutting out, we've checked it over and even fitted a new stereo switch and its still doing it, but only with that pedal.
On the subject of Coopersonic, John has had nothing but problems with his rig since he started using the Dirt Box. The volume on them things is ridiculous, at the side of a Boss if you go past 4 it will drown the Boss (on 10) out. His Marshall Cab keeps cutting out, we've checked it over and even fitted a new stereo switch and its still doing it, but only with that pedal.
- hotrodperlmutter
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I really like my Dirtbox. I play it with the volume at about 10 o'clock and it's fine. I use it for what I would call low to mid gain sounds, but saying that I have the drive at about 3 o'clock so maybe that would be higher gain for others. I like that way that if I pick strings you can hear them really clearly but lay down some power chords and it gets nice and dirty.Fran wrote:On the subject of Coopersonic, John has had nothing but problems with his rig since he started using the Dirt Box. The volume on them things is ridiculous, at the side of a Boss if you go past 4 it will drown the Boss (on 10) out. His Marshall Cab keeps cutting out, we've checked it over and even fitted a new stereo switch and its still doing it, but only with that pedal.
If your mate is having issues with his it might be worth speaking to the chaps at Coopersonic to see if it's working as it should - he might be able to do something. They were very friendly when I bought mine and it didn't work straight out of the box.
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Most of the time i'm playing it at about 3 1/2, which is pretty loud. My band mates would shout at me if I tried to play it any louder. How high do you need to crank yours to get it to break up?
I use a lot of distortion when I play but don't usually get to use my amp when I gig so I can't rely on an amp for distortion.
I use a lot of distortion when I play but don't usually get to use my amp when I gig so I can't rely on an amp for distortion.
- Fran
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I've had this conversation with John in the band... I cant understand why he wants to use a Pedal when he already has one of the best pre-amp drive sections in the world on his Marshall. To color sections of songs maybe, but to use the pedal instead seems backwards.Sloan wrote:i can let tubescreamers slide. pedals were fun, but i realized they were a distraction to me. it's all about that amp yall.Fran wrote:I know Sloan, but i'm using a totally clean 70s Laney Head. Pedals are a necessary evil.
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I agree, my bassists bass sounds shit anyway so why can't I borrow his frequencies?
He needs to work out how to tweak an amp and the controls on his bass so that it sounds good. At least now he has started to use a distortion pedal that sounds good for some songs, my MBM Green Muff with clean blend rather than his Ibanez Phat Head that I don't really like.
He needs to work out how to tweak an amp and the controls on his bass so that it sounds good. At least now he has started to use a distortion pedal that sounds good for some songs, my MBM Green Muff with clean blend rather than his Ibanez Phat Head that I don't really like.