i hate auto tuners
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- gaybear
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i hate auto tuners
on vocals for the most part.
it's kinda the same feel as over compression on drums
it's kinda the same feel as over compression on drums
plopswagon wrote: Drunk and disorderly conduct is the cradle of democracy.
Re: i hate auto tuners
werdz.gaybear wrote:on vocals for the most part.
it's kinda the same feel as over compression on drums
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we tried to use autotune on the ex-singer of my band, it wouldn't work because he's flat then sharp.
listen to the above and you'll know what I mean.
nothing will help him.
we tried to use autotune on the ex-singer of my band, it wouldn't work because he's flat then sharp.
listen to the above and you'll know what I mean.
nothing will help him.
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thats what we were in the day...old east bay hardcore kids.gaybear wrote:haha, i actually don't mind the vocals too much on that. well, when he's not holding out notes. the louder and shorter his vocals are, the better. reminds me of old east bay stuff.
Yeah, he's a better hardcore singer, he can't hold a note for shit, but thats also due to all the years playing hardcore shows and practices without earplugs! All that solidstate distortion will kill your hearing! 100W heads and cabs! and I was made fun of because I wore earplugs and still do! I tell them I want to be able to hear what I sounded like back in the day when I'm old and grey.
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Auto-tune is one of my pop recording... I mean used to be one of my pop recording secrets until this thread. Not for keeping Harvey in tune, but for colorization.
1. Double track your favorite Beach Boys' Ooo Laa Laa Laa line. Cross your fingers that it's relatively in tune.
2. Set auto tune for "auto"(as opposed to "graphic") at a slow correction rate, between 30-50.
3. Hard pan the Wilson bros Left and Right. sit back and enjoy.
What happens is that the two tracks will line up and you'll get a spectacular amount of harmonics ringing in all over the place, without sounding like a paranoid android. The key is slow correction that keeps both tone and attack somewhat human. The best thing you could do to a backing track, IMO. But CB is right. Technology can't help everyone.
1. Double track your favorite Beach Boys' Ooo Laa Laa Laa line. Cross your fingers that it's relatively in tune.
2. Set auto tune for "auto"(as opposed to "graphic") at a slow correction rate, between 30-50.
3. Hard pan the Wilson bros Left and Right. sit back and enjoy.
What happens is that the two tracks will line up and you'll get a spectacular amount of harmonics ringing in all over the place, without sounding like a paranoid android. The key is slow correction that keeps both tone and attack somewhat human. The best thing you could do to a backing track, IMO. But CB is right. Technology can't help everyone.
- theshadowofseattle
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your using it the way it should be used, not to fix a bad singer.ultratwin wrote:Auto-tune is one of my pop recording... I mean used to be one of my pop recording secrets until this thread. Not for keeping Harvey in tune, but for colorization.
1. Double track your favorite Beach Boys' Ooo Laa Laa Laa line. Cross your fingers that it's relatively in tune.
2. Set auto tune for "auto"(as opposed to "graphic") at a slow correction rate, between 30-50.
3. Hard pan the Wilson bros Left and Right. sit back and enjoy.
What happens is that the two tracks will line up and you'll get a spectacular amount of harmonics ringing in all over the place, without sounding like a paranoid android. The key is slow correction that keeps both tone and attack somewhat human. The best thing you could do to a backing track, IMO. But CB is right. Technology can't help everyone.
although that was its intended idea as a software program was to fix sour notes i believe.
to fix an out of tune vocal you could just use a pitch shift and put the main vox in the middle, then send it to the pitchshift detuned and put it to the left of the main vocal, then send another to a pitch shift sharp and put it right of the main vox and it will hide the sour notes a bit too.
- SpectralJulian
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aen wrote:Thats the kind of shit I NEVER think of. I usually just stumble onto new ways to make absurd noise.
Sounds like the way I write/record. Today I was screaming into a guitar pickup instead of using a microphone. Really freaky sounding vocals.theshadowofseattle wrote:"It kinda sounds like a robot dying."
"THAT'S THE NEW ALBUM THEN, MAN!"
I recorded rums through the bridge PU in my telecaster, and put that shit through a ring mod and a big muff.SpectralJulian wrote:aen wrote:Thats the kind of shit I NEVER think of. I usually just stumble onto new ways to make absurd noise.Sounds like the way I write/record. Today I was screaming into a guitar pickup instead of using a microphone. Really freaky sounding vocals.theshadowofseattle wrote:"It kinda sounds like a robot dying."
"THAT'S THE NEW ALBUM THEN, MAN!"
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