Delay recommendations
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That's exactly the stuff I'm after Doog - I've got a Behringer DD-400 with something similar but just can't seem to get the timing consistent enough to trust it in a live setting.
I thought maybe having it set by the dials was the way to get a bit more of a consistent speed of stutter. Maybe just a case of practice makes perfect.
I thought maybe having it set by the dials was the way to get a bit more of a consistent speed of stutter. Maybe just a case of practice makes perfect.
Verse Metrics: -->New EP<--
well with the recent boss offer of 3 pedals for the price of 2 i've been considering the DD-3 & a RC-3 so I can get the TU-3 for free. But then I also drift towards those lovely pink flangers and get confused so easily
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
+ 1 for the carbon copy. I have one myself and love it. Absolutely huge delay in a small, convenient box.Thom wrote:Once you have made up your mind on what type here are my recommendations:
Analogue: MXR carbon copy
RUN AMOK!.scandoslav wrote:i heard these are wank when it comes to metal
- Empires
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This is relevant to my interests. Any songs in particular?drBenway wrote:Deerhunter uses these alot, especially on vocals.
Verse Metrics: -->New EP<--
He said in a interview (posted at the bottom of this page) that he used them on pretty much every vocal track that he ever recorded.
This was done with one:
[youtube][/youtube]
I think you can hear it really well in this song too:
[youtube][/youtube]
He uses them heavily for looping when doing his solo stuff live:
[youtube][/youtube]
Here's the link to the interview:
http://pitchfork.com/features/guest-lis ... eerhunter/
This was done with one:
[youtube][/youtube]
I think you can hear it really well in this song too:
[youtube][/youtube]
He uses them heavily for looping when doing his solo stuff live:
[youtube][/youtube]
Here's the link to the interview:
http://pitchfork.com/features/guest-lis ... eerhunter/
Hipster Bible wrote:
>> Favorite Piece of Musical Equipment
I use this thing, a delay pedal called the DigiTech DigiDelay. I use it for everything. If I had to have one [instrument] to make music with, it would be that. I've used it on every vocal I've ever done. It's also the source of a lot of sounds on our record that people didn't realize-- the entire first track ["Intro"] is done on one. That's just my voice; there's no keyboards on the majority of that track. There's one keyboard part at the end, but that's it. All the loops are my voice. And a lot of the sounds on "Octet" are my voice looped through this thing. It has a really cool additive way of making loops. Everybody in Deerhunter has one. Every single person in the band, after seeing me use it, was like, "I have to have one of those." It's the one thing we all have in common.
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Thanks a bunch for putting those together, dude.drBenway wrote:He said in a interview (posted at the bottom of this page) that he used them on pretty much every vocal track that he ever recorded.
I think that's pretty much what we're after. Our singer has decided to get rid of his awful Boss Vocal Performer and this might be just the ticket as he only ever used the delay on it anyway. I've seen one taped to the side of a sound desk at a local venue too, can't be a bad sign.
I'm starting to wonder if the DD-6 is the answer then, maybe the switch is a little more responsive than the Behringer... I find cancelling the stutter the hardest with it. I assumed that with the DD-3, if you set the time really short that the stutter would cancel as soon as you lift your foot off the pedal. It's a question that would only be answered by trying them both side by side, I think. It could be a buy both, flip one scenario.johnnyseven wrote:I've had 2 DD3's and I could never get the Hold function to work properly.
Verse Metrics: -->New EP<--
On the DD-3, you set the recording length (call it X milliseconds) with one of the dials- when you press down the pedal, it records the last X number of milliseconds you played before you pressed the pedal, and repeats that sample while the pedal is held down.
On the DD-6, it records as you hold the pedal down, and releasing it loops the playback of however long you were sampling for. You just tap it to stop playback. WAY more useful.
[youtube][/youtube]
On the DD-6, it records as you hold the pedal down, and releasing it loops the playback of however long you were sampling for. You just tap it to stop playback. WAY more useful.
[youtube][/youtube]
That's how the digidelay looper works as well.
Can you add more layers on that one though? It was kind of hard to tell from the video (and yeah, I'm tired)..
Does anyone know any other pedal than the digitech PDS 8000 that allows realtime pitch/time control of the loop? It's my dream delay, but it's damn expensive and rare.
Can you add more layers on that one though? It was kind of hard to tell from the video (and yeah, I'm tired)..
Does anyone know any other pedal than the digitech PDS 8000 that allows realtime pitch/time control of the loop? It's my dream delay, but it's damn expensive and rare.
I see.
On the digidelay you can add more layers. The first layer determines the length of the loop. And then you can add as many layers on top of it as you want. To stop the loop you just tap it quickly. The drawback is that you have to be careful when adding short clips not to stop the loop.
The tap tempo is kind of strange though. You hold it down for 4-5 seconds and then it enters tap-mode. It works, but it's not ideal for live situations.
Still, for the price it's a no brainer. I think it beats all boss delays in the similar price range. (Never owned one myself, but played a few of them).
The reverse delay setting is fun, but you can't set it to 100% wet, which would be even better.
Sometimes I mess around with the modulation delay setting with time and repeat set to zero to get a chorus effect.
I have absolutely NO idea of what makes a good chorus sound since I think it's a cheesy effect and would never pay money for it. But it fills my purposes when playing around with some Peter Hook basslines for lulz.
On the digidelay you can add more layers. The first layer determines the length of the loop. And then you can add as many layers on top of it as you want. To stop the loop you just tap it quickly. The drawback is that you have to be careful when adding short clips not to stop the loop.
The tap tempo is kind of strange though. You hold it down for 4-5 seconds and then it enters tap-mode. It works, but it's not ideal for live situations.
Still, for the price it's a no brainer. I think it beats all boss delays in the similar price range. (Never owned one myself, but played a few of them).
The reverse delay setting is fun, but you can't set it to 100% wet, which would be even better.
Sometimes I mess around with the modulation delay setting with time and repeat set to zero to get a chorus effect.
I have absolutely NO idea of what makes a good chorus sound since I think it's a cheesy effect and would never pay money for it. But it fills my purposes when playing around with some Peter Hook basslines for lulz.
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Delay Pedal. Affordable and cheap suggestions...
Digital (including multi-mode ones and analog sims settings)
Digital (including multi-mode ones and analog sims settings)
- Line 6 Echo Park (lots of different modes)
Behringer EM600 (cheaper clone of above?)
Marshal Echohead (different modes)
Boss DD5/ DD6 / DD7 (DD7, the latest version includes good loop time, and analog sim)
Behringer DD600 (rip off of Boss D6?)
GLX / Beta Aivin / Harley Benson (rip off of Boss DD6)
Ibanez DE7 (discontinued?)
Danelectro Dan Echo (discontinued?)
Guyantone MD2 (discontinued?)
- Behringer VD400
Behringer VM1 Vintage Time Machine (rip off of Electro-harmonix Deluxe Memory Man)
DOD FX96