this should be your new avatarbenecol wrote:You lot may mock, but it'd be a deal breaker for me. Of course, I have a proper Jazzmaster...
Squier J Mascis Jazzmaster
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Maybe he's so refined that he actually grades cork?
Donate to Ankhanu Pressekwatts wrote:That's American cinema, that is. Fucking sparkles.
- Medicine Melancholy
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That's cause ABC Warriors is fucken awesomebenecol wrote:I never change my avatar. Never.
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I actually find myself rather unfortunately falling into the category people assumed I was outright making fun of.
I really love that this guitar exists, and I would like to own a JM, but at the same time, part of the reason I want to own a JM is that I'm sick of seeing and hearing Strats and Les Pauls everywhere. Even with the alternative crowd here, they're not that popular. However a lot of them do want offsets, just can't afford a decent model. This could be a "game changer" as people are saying. It's hard to stand out these days and having unique equipment can help. Different combinations of guitars, effects, amps etc. can give you some really memorable sounds.
Granted, if I like a guitar i like it, and frankly I wouldn't mind having a decent Strat someday either.
But I think the issue here is partly that having "a" Jazzmaster be affordable means every one gets that, and it's probably less than ideal for some still and by the time you're finished you could have bought a Classic Player for the same price. It would have been nice if there were some offsets/shortscales in a range of different colours, styles, features whatever. The Pawnshop Mustang and CV Duo Sonic were a nice start. But I want to see more with trems.
I really love that this guitar exists, and I would like to own a JM, but at the same time, part of the reason I want to own a JM is that I'm sick of seeing and hearing Strats and Les Pauls everywhere. Even with the alternative crowd here, they're not that popular. However a lot of them do want offsets, just can't afford a decent model. This could be a "game changer" as people are saying. It's hard to stand out these days and having unique equipment can help. Different combinations of guitars, effects, amps etc. can give you some really memorable sounds.
Granted, if I like a guitar i like it, and frankly I wouldn't mind having a decent Strat someday either.
But I think the issue here is partly that having "a" Jazzmaster be affordable means every one gets that, and it's probably less than ideal for some still and by the time you're finished you could have bought a Classic Player for the same price. It would have been nice if there were some offsets/shortscales in a range of different colours, styles, features whatever. The Pawnshop Mustang and CV Duo Sonic were a nice start. But I want to see more with trems.
http://bit.ly/gQtI
http://bit.ly/3TM2se
^ On Privilege/When Allies Fail; Addressing the "We're supportive of gays/women/blacks so we can't say anything wrong about them" attitude.
http://flavors.me/takeshiandthekid <- Musacs
http://bit.ly/3TM2se
^ On Privilege/When Allies Fail; Addressing the "We're supportive of gays/women/blacks so we can't say anything wrong about them" attitude.
http://flavors.me/takeshiandthekid <- Musacs
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- taylornutt
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the original J Mascis Jazzmaster was also made from basswood and it sounded great. My old Squier Duo Sonic also was basswood and had a nice warm tone to it. I hate the soft nature of basswood, but it can sound fine.jagsonic wrote:it's time to strike a blow for basswood. I play some great sounding basses and guitars made of basswood. When the new mascisjazzy is made of it - i would like it. When you don't, go and play a classic player...
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Last edited by taylornutt on Mon Aug 08, 2011 7:26 pm, edited 1 time in total.
J Mascis Jazzmaster | AVRI Jaguar | Tuxedo-stang |Fender Toronado GT |
Squier FSR Sparkle Jaguar | Squier CV Mustang |1971 Fender Bronco| Baja Telecaster |
Squier FSR Sparkle Jaguar | Squier CV Mustang |1971 Fender Bronco| Baja Telecaster |
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Or Mustang. I don't know if I can afford the CP Jag so a Squier Jag or Mustang would be great right now.Phil O'Keefe wrote:I'm not a huge fan of basswood generally, but these are still going to sell by the boatload...
Now they just need to do a proper Squier Jaguar.... and Duo Sonic II.
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^ On Privilege/When Allies Fail; Addressing the "We're supportive of gays/women/blacks so we can't say anything wrong about them" attitude.
http://flavors.me/takeshiandthekid <- Musacs
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^ On Privilege/When Allies Fail; Addressing the "We're supportive of gays/women/blacks so we can't say anything wrong about them" attitude.
http://flavors.me/takeshiandthekid <- Musacs
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IMO, Basswood sounds a bit like the noise clouds make.
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http://flavors.me/takeshiandthekid <- Musacs
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^ On Privilege/When Allies Fail; Addressing the "We're supportive of gays/women/blacks so we can't say anything wrong about them" attitude.
http://flavors.me/takeshiandthekid <- Musacs
Having bought wood from an actual lumber yard, I have a reasonable idea of what it costs to make a guitar body. For what I pay, it costs £8-12 to make one, from poplar, sapelle or ash. Fender would pay a bit less for their wood. So I don't know where the £100 discrepancy in the prices for (seemingly) just different body woods and a few quid in cost. Personally, I wouldn't use bASSWOOD, because other woods are cheap and readily available. Maybe the 'sustainability' and ease of finishing are factors too?