compressors
Moderated By: mods
thanks stuart for the recommendations but I think the price of the Keeley is a bit to much, in fact if I had that to spend I would probably get a 2nd hand M9 to help fill so many needs.
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
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If I was going to get a compressor i'd buy a Boss CS3 cheap and get these guys to mod it - http://www.pedalmods.com/
They're very good, if you tell them how you want your compressor to sound they can take it into account when they do the mod.
I have a Dyna Comp, it's a more modern one, and i'm not a fan. It seems to remove bass from the tone and leave it too trebly. But then i'm well known for having cloth ears.
They're very good, if you tell them how you want your compressor to sound they can take it into account when they do the mod.
I have a Dyna Comp, it's a more modern one, and i'm not a fan. It seems to remove bass from the tone and leave it too trebly. But then i'm well known for having cloth ears.
thanks for the vids Mike.
One question on the dyna comp, is there much difference between the new ones and the old 70s ones. what is the 76 reissue like?
Anyone had any experience with the EHX compressor pedals?
One question on the dyna comp, is there much difference between the new ones and the old 70s ones. what is the 76 reissue like?
Anyone had any experience with the EHX compressor pedals?
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
- Mike
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Dunno to be honest, I think it's more about component differneces like those old metal can CA3080s. I know I had finboys vintage one here for TB, DC jack and LED addition and it was lovely.lorez wrote:One question on the dyna comp, is there much difference between the new ones and the old 70s ones. what is the 76 reissue like?
Im going now through a course of learning 'how to record' etc.. And there they said the compressors are very useful if You want for example
add some 'attack' to Your string pluck, or longer the 'sustain', 'decay' of the note..
So now I am thinking of getting one, for making something more interesting while fingerpicking and so on.
I was looking at the one made by Danelectro, but I was hoping for some more controls..
In soon future I might be using the effects in Logic Pro even in live situations because of the possibilities of control and getting just the right sound,
I know its betraying all You believe in.
add some 'attack' to Your string pluck, or longer the 'sustain', 'decay' of the note..
So now I am thinking of getting one, for making something more interesting while fingerpicking and so on.
I was looking at the one made by Danelectro, but I was hoping for some more controls..
In soon future I might be using the effects in Logic Pro even in live situations because of the possibilities of control and getting just the right sound,
I know its betraying all You believe in.
kim wrote:plankton people will be plankton people
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Compressors tend to remove high end and is a common issue I get asked about frequently.johnnyseven wrote:
I have a Dyna Comp, it's a more modern one, and i'm not a fan. It seems to remove bass from the tone and leave it too trebly. But then i'm well known for having cloth ears.
@Mike: I've been using one schematic to repair/modify Dyna Comps for decades. The main circuit has remained the same as far as values and structure but as you mentioned the part types (i.e. the metal can IC) have changed a little. The newest version uses a LM13700 IC which is a dual version of the LM/CA3080 with buffers. Only half the LM13700 is used and they don't use the buffers so it's still essentially the same circuit.
The Dyna Comp is a decent pedal but if you are looking for studio quality, you probably aren't going to find that in a stompbox. You will probably need to look into a rack compressor which will also give you more control options.
- Mike
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Cool stuff. I'm basing mine on a modified Ross compressor I did as a Custom job for a Customer a while back, nothing ground breaking but just some of the tweaks and modifications that seem to be popular around and about. I remember not wanting to send it off to the guy as it was quite addictive to play.Bill Oakley wrote:@Mike: I've been using one schematic to repair/modify Dyna Comps for decades. The main circuit has remained the same as far as values and structure but as you mentioned the part types (i.e. the metal can IC) have changed a little. The newest version uses a LM13700 IC which is a dual version of the LM/CA3080 with buffers. Only half the LM13700 is used and they don't use the buffers so it's still essentially the same circuit.
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Nice. I too am working on a compressor. Well, a compressor and noise gate in one. The main reason I don't use a compressor is the added noise. Mine's not a Dyna Comp/Ross circuit. It's based on component stereo system equipmentMike wrote:Cool stuff. I'm basing mine on a modified Ross compressor I did as a Custom job for a Customer a while back, nothing ground breaking but just some of the tweaks and modifications that seem to be popular around and about. I remember not wanting to send it off to the guy as it was quite addictive to play.Bill Oakley wrote:@Mike: I've been using one schematic to repair/modify Dyna Comps for decades. The main circuit has remained the same as far as values and structure but as you mentioned the part types (i.e. the metal can IC) have changed a little. The newest version uses a LM13700 IC which is a dual version of the LM/CA3080 with buffers. Only half the LM13700 is used and they don't use the buffers so it's still essentially the same circuit.
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