Aye, for a while I was using my Classic 30 while the other guitarist was using a 100w Valvestate, funnily enough, and they pretty much kept pace with each other.othomas2 wrote:No worries Doog... it is said to be louder that the more modern sold state marshalls but yeah I think you'd be pushing it.
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Shame, we had a Club 12 sitting there for ages in my shop on clearance.... it only went about a month ago.
Maybe try Ivor Mairants !! They got one in for me originally but seemed slightly miffed when I went away saying I would have think about it. You could do the same if you're desperate. Or they may still have the one they got in for me originally.
The quest for clean volume continues..
Moderated By: mods
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Brandon W wrote:you elites.
I know I've recommended this before to you but have you looked at a Roland Cube? Dunno how loud the bigger ones can get but the 60 (or was it 80?) I used to gig with in Troupe de Bacchus was loud as a fuck.Doog wrote:Another good plan, although I'd only get a 1x12, so would be limited to finding a JC60. One to stick in the Ebay "saved search" email list!
Again, not sure if a 60w amp would be a wise move, but Jazz Choruses ARE balls-to-the-wall loud generally..
Or Line 6 Spider/Flextone?
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Totally agree with the HH suggestion. Used to play through one at the place we used to rehearse at and it was stupid loud. Very clean all the way too.
I will say, I didn't get on well with the onboard reverb or the EQ abilities. Usually bad tone stacks ruin amps for me, but in this case I mean; the amp sounded great but only did one sound which was punchy, loud and clean. You couldn't get much else out of it until you EQ'd or screwed with the input gain. Also the amp I played through had one of those old pre-MIDI DIN switches on the front, tres retro.
I will say, I didn't get on well with the onboard reverb or the EQ abilities. Usually bad tone stacks ruin amps for me, but in this case I mean; the amp sounded great but only did one sound which was punchy, loud and clean. You couldn't get much else out of it until you EQ'd or screwed with the input gain. Also the amp I played through had one of those old pre-MIDI DIN switches on the front, tres retro.
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- SKC Willie
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Yeah, we discussed it last time I was looking for an amp. The Cubes look dead good, are portable and affordable but I decided to steer clear of a modelling amp due to the fact they tend to colour the fuck out of effects and generally compress stuff more than is useful in a live situation.BacchusPaul wrote:I know I've recommended this before to you but have you looked at a Roland Cube? Dunno how loud the bigger ones can get but the 60 (or was it 80?) I used to gig with in Troupe de Bacchus was loud as a fuck.Doog wrote:Another good plan, although I'd only get a 1x12, so would be limited to finding a JC60. One to stick in the Ebay "saved search" email list!
Again, not sure if a 60w amp would be a wise move, but Jazz Choruses ARE balls-to-the-wall loud generally..
Or Line 6 Spider/Flextone?
- Mike
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I think you need to get a luggage/builders trolly thing which you can strap something to using bungee cables, will really aid your carrying. Seen lots of indie rockers doing tyhis on the tube.
Or use the PA to give you more volume so you don't have to turn the amp up so loud.
Or use the PA to give you more volume so you don't have to turn the amp up so loud.
Last edited by Mike on Wed Dec 14, 2011 11:03 am, edited 1 time in total.
Have you thought about a Fender Eighty Five? Dirt cheap, lightweight, some of the best clean tones I've ever heard and there's an effects loop, so you can put a Sansamp or similar in the front and just use the power amp. That's what I do.
Plus, y'know, him out of Radiohead uses one. Every time I plug into mine, I immediately sound like Radiohead. I don't even like Radiohead.
Plus, y'know, him out of Radiohead uses one. Every time I plug into mine, I immediately sound like Radiohead. I don't even like Radiohead.
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Fender Deluxe 112 Plus
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Stupid loud. Too loud for house practice purposes. Cheaps. Clean channel is ace, nice reverb... I hate the dirt though. Takes pedals well.
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Stupid loud. Too loud for house practice purposes. Cheaps. Clean channel is ace, nice reverb... I hate the dirt though. Takes pedals well.
Verse Metrics: -->New EP<--
- Mike
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This and one of these would get my vote anyday. Fender solid state amps stay clean and are fucking loud. Generally bright enough too.Empires wrote:Fender Deluxe 112 Plus
Stupid loud. Too loud for house practice purposes. Cheaps. Clean channel is ace, nice reverb... I hate the dirt though. Takes pedals well.
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- Mike
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It's a valvestate, and it's the power section (solid state) that is breaking up.GreenKnee wrote:Have you tried retubing the Marshall for less breakup? I remember I once spent ages researching which tubes distorted the least at high volumes, and put them in my DeVille.
Try a lower gain preamp tube; 12AT7, 5771, etc.
And possibly bias it a little cooler?
Jack
I see, my bad. Should have read the whole thing properlyMike wrote:It's a valvestate, and it's the power section (solid state) that is breaking up.GreenKnee wrote:Have you tried retubing the Marshall for less breakup? I remember I once spent ages researching which tubes distorted the least at high volumes, and put them in my DeVille.
Try a lower gain preamp tube; 12AT7, 5771, etc.
And possibly bias it a little cooler?
Jack
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