PICS (taken with phone) ADDED HERE:
Work in exhibition (more pics added)
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Work in exhibition (more pics added)
I was given a brief by the local gallery to make some work that responded to an object from the museum. I ended up with a UK-made japanese style tea caddy that had a landscape printed all round it. My response was (believe it or not) 6 prints made with line drawings, acetates and Brixton library's photocopier that were an attempt to hybridise the aesthetic of old punk and hardcore flyers and Japanese 'Zenga' art. Each one became a kind of tumbledown shrine to a punk band (though I included John Cage - was he the first punk?). I think there's a useful connection to be drawn between the embrace of chaos and the questioning of orders I find inherent to both punk and Zen, so that's really what I was trying to do with these.
PICS (taken with phone) ADDED HERE:
PICS (taken with phone) ADDED HERE:
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Last edited by Ben79 on Tue Jan 31, 2012 10:47 pm, edited 2 times in total.
- weed_killer
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Perhaps! It was certainly dissonant but it was very controlled....
The aesthetic of punk seems to be partly characterised by the extent to which chaos is allowed to enter the work. By playing 'badly', ie. having limited (conscious) control over the sound, chance (noise) comes in and takes care of the rest. In Cage's 4'33, he surrenders control completely, allowing whatever chance noise happening to occur during the temporal frame to form the work - this seems to be punk in the extreme!
In punk and particularly hardcore, the speed and urgency rolls all this chaos up into something with a rich discernable form. I think recently, bands like Sunn 0)))) have found that a similar effect can be achieved by playing low and slowing down, allowing a richness to be discerned in the chaotic fringes of the clipped waveform. Punk was a welcome reaction to public school prog rock wizards and their 5 minute synthesizer solos - I think drone and doom is a welcome reaction to the 2'30 120 bpm kick snare computer-generated viral pop video.
The aesthetic of punk seems to be partly characterised by the extent to which chaos is allowed to enter the work. By playing 'badly', ie. having limited (conscious) control over the sound, chance (noise) comes in and takes care of the rest. In Cage's 4'33, he surrenders control completely, allowing whatever chance noise happening to occur during the temporal frame to form the work - this seems to be punk in the extreme!
In punk and particularly hardcore, the speed and urgency rolls all this chaos up into something with a rich discernable form. I think recently, bands like Sunn 0)))) have found that a similar effect can be achieved by playing low and slowing down, allowing a richness to be discerned in the chaotic fringes of the clipped waveform. Punk was a welcome reaction to public school prog rock wizards and their 5 minute synthesizer solos - I think drone and doom is a welcome reaction to the 2'30 120 bpm kick snare computer-generated viral pop video.
- gypsyseven
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