Posted: Thu Apr 10, 2008 1:23 am
hahaha
do you have it or are you just making plans to get one?
do you have it or are you just making plans to get one?
i honestly think an esquire would send me into a fit. i don't use the bridge pickup on any guitar i own unless it's blending with the neck.Jagermeister wrote:...I think if I built an esquire I'd play it for about 10 minutes before trying to find almost anything to stick in the neck position![]()
One position is normal volume & tone control, other goes from volume to jack with no tone control (loud & bright) & 3rd is run thru some caps & shit to produce an also unadjustable (tonewise) bassy sound. Here's some diagrams: http://www.tdpri.com/wiringESQUIRE.htm but I believe there's some others.Haze wrote:this is my planning
if it looks like a good idea [your alls input] then im selling my HH tele shit and buying one of these squire's and start piecing it all together
anyone know any use for a 3-way in an esquire?
i dont hardly know shit about them.
aen wrote:I had always been a 3 saddle bridge hater. Then I got my 50s tele. After a while I realized that I could live with a 3 saddle, but definetly prefer a sixer.
Well, I did swap it out. Plus 3 saddle bridges have big lips and screws that chop up my hand. do not want. Intonation was pretty good, definetly better in "standard" tuning. But for my tuning, there's a huge difference where your D and G would go, in my case D and A.jcyphe wrote:It funny how all the 3 saddle bridge haterz came around. I think both Aen and Mike stayed shitty on it, and now they know the deal.
Yeah, I'll totally admit I spoke from a position of ignorance and had concerns about the intonation. But when I got my telecaster I found that with the 9s it was shipped with it would get a bit squiffy on the G string if the D was intonated and vice versa around the 12+th frets, but once I put my 11s on it it was bang in - no bother. and it DOES affect the sound also, the sustain and twang lives in 3 saddle bridges with brass saddles.jcyphe wrote:It funny how all the 3 saddle bridge haterz came around. I think both Aen and Mike stayed shitty on it, and now they know the deal.
I think the best Teles are basically overgrown steel guitars. So the 3 saddle bridge gives more of that sort of character. Where the 6 saddle bridge is more of a proper guitar, but what's proper doesn't always give the most unique sound, or interesting sound to the ears.Mike wrote:Yeah, I'll totally admit I spoke from a position of ignorance and had concerns about the intonation. But when I got my telecaster I found that with the 9s it was shipped with it would get a bit squiffy on the G string if the D was intonated and vice versa around the 12+th frets, but once I put my 11s on it it was bang in - no bother. and it DOES affect the sound also, the sustain and twang lives in 3 saddle bridges with brass saddles.jcyphe wrote:It funny how all the 3 saddle bridge haterz came around. I think both Aen and Mike stayed shitty on it, and now they know the deal.
I'm a fan, and a humble convert.