Sloan wrote:I had a red knobbed princeton chorus and it actually was a very good amp. The distortion was pretty cool.
i still have mine. i use it alot for tracking
Posted: Sun Mar 08, 2009 2:16 am
by Will
I've been loving my Orange Crush for practice and open mics. The distortion is fizzy, but the clean sounds are a lot like an old champ.
Nothing is gonna beat my Ampeg Jet for distortion, but I still think SS has everything I need for most of my playing.
Posted: Sun Mar 08, 2009 11:50 am
by Thomas
I have an old Fender M-80 solid state (I think it's basically the same thing) It has a totally monster sound. Classic fender and VERY loud. The only time I've really ever had it at 10 for any legnth of time was in the rehearsal studio. The guitarist from the other band that shared the studio with us had one of those Trace Elliot super twin amps. It was twice the size of the little fender but the M-80 buried it at high volumes.
If you engage the distortion on mine nothing happens. It must have something blown in its guts. I only ever use it clean anyway, all the dirt comes from pedals.
Posted: Sun Mar 08, 2009 1:42 pm
by stewart
william wrote:they are so goddamned heavy i wouldnt wanna gig one. not that i fucking gig anyway.
they are, which is why i bought the little fender, but they do have wheels. so it could be worse (could be a fender twin!).
Posted: Sun Mar 08, 2009 1:46 pm
by ultratwin
Dinosauria wrote:I have an old Fender M-80 solid state (I think it's basically the same thing) It has a totally monster sound. Classic fender and VERY loud. The only time I've really ever had it at 10 for any legnth of time was in the rehearsal studio. The guitarist from the other band that shared the studio with us had one of those Trace Elliot super twin amps. It was twice the size of the little fender but the M-80 buried it at high volumes.
If you engage the distortion on mine nothing happens. It must have something blown in its guts. I only ever use it clean anyway, all the dirt comes from pedals.
My mom bought me one back in '89 or so, and it's still there in my SoCal bedroom. The Distortion is interesting, and somewhat useful when you have to dial in a heavy dist that can give a bit to sit in the mix.
Posted: Mon Mar 09, 2009 12:51 am
by william
srry im drunk now, i cant fel my ass or my leg man.
stewart is the shit, younknow. i love yo mna.
maybe i wiln get a solid.
Posted: Mon Mar 09, 2009 2:11 am
by dots
dime from pantera always insisted on solidstate for his amps, too.
Posted: Mon Mar 09, 2009 2:13 am
by James
Agata uses solid-state, too.
Posted: Mon Mar 09, 2009 2:23 am
by gaybear
dots wrote:dime from pantera always insisted on solidstate for his amps, too.
seriously, it's fucking great for metal. 'specially 80s early 90's music.
Posted: Mon Mar 09, 2009 4:58 pm
by blacktaxi
go solid state!
FUCK SOME TUBE MOJO!
seriously, i've been thinking about changing to SS. i have a custom made champ-a-like amp, but it has a 10" speaker, EQ and built-in slap-back delay i almost never have it being distorted on its own, because it's just too loud. so i'm thinking if i might sell it and get a bigger SS amp...
Posted: Mon Mar 09, 2009 5:01 pm
by Bacchus
gaybear wrote:
dots wrote:dime from pantera always insisted on solidstate for his amps, too.
seriously, it's fucking great for metal. 'specially 80s early 90's music.
Aye, for a certain type of metal, solid state's the way to go. Personally, I'd still rather have a big fucking tube amp but that's just me.
Posted: Mon Mar 09, 2009 5:02 pm
by Mike
The most important thing to do when considering what amps sound good is to use your own ears and make your own mind up regardless of all internet hyperbole, lest you become like that Kurtdz-fixated goon, Armchair Bronco.
You don't want that.
Plenty of solid state amps sound great.
Posted: Mon Mar 09, 2009 5:03 pm
by Bacchus
Mike wrote:The most important thing to do when considering what amps sound good is to use your own ears and make your own mind up regardless of all internet hyperbole, lest you become like that Kurtdz-fixated goon, Armchair Bronco.
You don't want that.
Plenty of solid state amps sound great.
NO WRONG TUBES SOUND BETTER.
Posted: Mon Mar 09, 2009 5:06 pm
by Mike
They do flap trousers in a more dynamic way. This cannot be underestimated.
[youtube][/youtube]
This solid state amp cost £2.50. It sounded good until Hurb ruined it.
Posted: Mon Mar 09, 2009 5:07 pm
by Bacchus
It's all about the dynamic trouser flappage.
Posted: Mon Mar 09, 2009 6:07 pm
by endsjustifymeans
Sunn beta lead FTW!
I'd love to get my hands on one of those bastards.
Posted: Mon Mar 09, 2009 7:46 pm
by william
two jc120s on tulsa CL for 400. seems fair for a big loud feature packed amp.
both are 80s MIA too.
Posted: Mon Mar 09, 2009 7:52 pm
by endsjustifymeans
william wrote:two jc120s on tulsa CL for 400. seems fair for a big loud feature packed amp.
both are 80s MIA too.
This demo makes me not want that amp regardless of how nice it may be. lol
[youtube][/youtube]
Posted: Mon Mar 09, 2009 8:02 pm
by JJLipton
endsjustifymeans wrote:
william wrote:two jc120s on tulsa CL for 400. seems fair for a big loud feature packed amp.
both are 80s MIA too.
This demo makes me not want that amp regardless of how nice it may be. lol
[youtube][/youtube]
I don't really like metal too much, but i can appreciate the player's talent. Sometimes i think my little SS vox combo sounds better than my blues jr, especially in the distortion category. I haven't played through a top notch tube amp in forever though.
